Term
|
Definition
(also known as a pickup) A note or sequence of notes which precedes the first downbeat in a bar in a musical phrase. |
|
|
Term
|
Definition
Sometimes called composite meter. Complex time - meter such as 7/8 that mixes simple and compound pulses. |
|
|
Term
|
Definition
A beat is the basic pulse in music, like what you might tap your foot to. Beats are grouped into measures, with the same number of beats in each measure. |
|
|
Term
|
Definition
A meter with three subdivisions for every pulse, having a time signature with the upper figure being a multiple of 3. |
|
|
Term
|
Definition
The first beat of a measure. The downward movement that a conductor makes to show which note is played with the greatest stress of force. |
|
|
Term
|
Definition
A meter characterized by a primary division of 2 beats to the bar. |
|
|
Term
|
Definition
A change in pulse rate (tempo) and/or pulse grouping (subdivision). |
|
|
Term
|
Definition
When one piece of music has multiple meters or time signatures during the piece. |
|
|
Term
|
Definition
The individual notes tend to sound concurrently, and it is only their phrase lengths that are different. |
|
|
Term
|
Definition
The individual notes tend not to sound concurrently (except downbeats), but the phrase lengths are the same. |
|
|
Term
|
Definition
In music and music theory, the pulse consists of beats in a (repeating) series of identical yet distinct periodic short-duration stimuli perceived as points in time occurring at the mensural level. |
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|