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| A combo form of black dance music that emerged during the WWII era as a fusion of blues and swing jazz elements associated with hybrid vocal styles |
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| 1950 derivative of rhythm and blues characterized by black gospel and pop influences created for consumption by black and white teenagers. |
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| Music industry use through the 1940s to describe and market music produced by blacks for blacks |
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| Gospel influence african american popular music style that began to emerge in the late 1950s and became popular during the 1960's |
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| New bands with fewer members produced two new genres? |
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| characterized by a 12 bar structure,boogie boogie bass line "boogie woogie bass" "saturday night fish fry" both from louis jordan and his timpani five" |
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| Background harmony,emotionally charged reading,influence of gospel, ravens ,orioles(first bonafide R&B vocal Harmony group |
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| Typically acappella vocal harmony group that emphasized the rhythmic delivery of a phrase consisting of vocables (syllables without meaning) |
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| introduced a non-rhythmic concept to the tradition and the chop-choo beat played maybelline and tutti frutti |
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| other bands adopted the beats from this |
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| Racially defined distribution |
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| practices of music industry prevented easy access to the music |
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| the process by which a recording release in a secondary market achieves hit status in the mainstream market |
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| record label created by berry gordy named for its original location in detroit "motor city" |
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