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A bba A Refrain (A) Stanza (bba) Refrain (A) typically has 3 stanzas "Foy porter"--Machaut |
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aab C Stanza (aab) Refrain (C) "Se la face ay pale"--DuFay |
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AB a A ab AB Refrain (AB) Half Refrain (A) Refrain (AB) "De plus en plus"--Binchois "Rose, liz"--Machaut |
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tradition that exists in West from ~300-1963 entire rep memorized (Catholic) unison unaccompanied song |
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every syllable of text set to a note "Dixit Dominus" from Vespers for Christmas Day--Anon. |
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2-6 notes per syllable Agnus Dei from Mass for Christmas Day--Anon. |
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a chant that contains lots of melismas Alleluia, "Pascha Nostrum", Mass for Easter Day--Anon. |
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HUGE melisma on a single syllable contained in Alleluia, "Pascha Nostrum" from Mass for Easter Day--Anon. |
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ritual of Catholic Church that celebrates Christ's death and resurrection most important service of the Catholic Church contains ordinary and proper Mass for Christmas Day--Anon. |
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series of prayers that mark times of the day many chants sung at these rituals "Tecum principum/Dixit Dominus" from Mass for Christmas Day--Anon. |
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single tone around which chant focuses "Dixit Dominus" from Vespers for Christmas Day--Anon. formula for how to sing long bits of text and come to punctuation |
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two choirs alternate singing verses "Dixit Dominus" from Vespers for Christmas Day--Anon. |
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cantor (soloist) sings, choir responds Alleluia, "Pascha Nostrum", Mass for Easter Day--Anon. |
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days which commemorate days in the life of Christ Mass for Easter Day--Anon. Vespers for Christmas Day--Anon. |
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fixed days which honor specific saints |
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new info added to preexisting text/composition, often to comment upon it organum complex Alleluia, "Pascha Nostrum"--Leonin, Perotin, and others |
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"dawn song" what the lookout sings while his friend is having a romantic affair "Reis Glorios"--Giraut de Borneil |
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poet-composers in the S of France, 12th century texts tended to talk about courtly love Giraut de Borneil |
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homophonic, voices moving in parallel intervals (usually 5th) organum from book Musica Enchiriadis |
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intervals not entirely parallel start and end each phrase in unison Alleluia, "Justus ed palma" |
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drone underneath and new music/melismas over the top notes in drone=orignial part of chant Alleluia, "Pascha Nostrum" by Leonin, Perotin, and others |
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style of organum (12th-13th cent.) that includes rhythm in the upper and lower voice lower voice still original chant Alleluia, "Pascha Nostrum"--Leonin, Perotin, and others |
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discant without additional text Alleluia, "Pascha Nostrum"--Leonin, Perotin, and others |
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discant with words added that are a gloss/commentary on original text Alelluia, "Pascha Nostrum"--Leonin, Perotin, and others |
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a type of isorhythm that contains a repeating rhythmic unit Kyrie from Messe de Nostre Dame--Machaut |
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a type of isorhythm that contains a repeating series of pitches Kyrie from Messe de Nostre Dame--Machaut |
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Medieval and Renaissance "retirement plan" often held in absentia Leonin and Perotin held these in Paris vicinity Machaut, DuFay, and Josquin also held them |
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basically the staff of an important Medieval/Renaissance person (king, duke, pope...) included musicians/priests, instrumentalists, learned people, and courtiers chapel took care of sacred things entourage took care of secular things Machaut, Dunstable, DuFay, Josquin, Palestrina, Monteverdi |
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French vs. English English chapels present in France, lots of music trading going on Dunstable's "sweetness of the English style" quickly disseminated (less than 10 years!) "Quam Pulchra Es"--Dunstable |
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Catholic council called to decide on one pope brought together ecclesiastical officials from all over many singers/composers first heard English music "Quam Pulchra Es" |
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composers who received training in N France and came down to work in Italian courts 15th century Josquin and DuFay |
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pre-existing melody drawn from chant or secular source used as basis for polyphonic setting of mass cycle 15th cent.-mostly in tenor in prolonged notes 16th cent.-distributed to all voices equally in Kyrie from Missa Pange Lingua--Josquin |
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polyphonic setting of ordinary of mass organized around single concept/scaffold/idea Missa Se La Face Ay Pale--DuFay (every movement has cantus firmus from ballade of same name) |
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only the tenor has the cantus firmus in this mass usually tenor has longer note values than other voices Kryie from Missa Se La Face Ay Pale--DuFay |
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phrase/motto repeated in all voices within texture "Ave Maria...Virgo Serena"--Josquin |
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first fully printed book of music published by Petrucci 1501 secular vocal/instrumental music of Josquin ("Adieu, mes amours") and other composers |
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simple religious song sung by congregation in Protestant service (aka hymn) originally monophonic, later polyphonic, simple forms "Ein Feste Burg"--Luther |
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Counter-Reformation reforms carried out here abolished absentee benefices-->composers began to stay in their own countries sacred music became "more intelligible"-->words drawn out into longer statements, turned to composers like Palestrina abolished "seductive/impure" sources from sacred music (eliminated secular cantus firmus from mass and motet) |
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mass cycle that spreads cantus firmus through all voices chant bit used at beginning of phrase, then free composition Missa Pange Lingua--Josquin |
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mass in which each movement is based on same polyphonic model (chanson or motet) Missa O Magnum Mysterium--Victoria |
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secular polyphonic composition 16th cent. Italy or England includes text painting love, lust, nature "As Vesta Was"--Weelkes |
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madrigal composers especially used this music create sonic representation of words for effect "As Vesta Was"--Weelkes |
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harmony more important than words rules must be followed Josquin's masses/motets Pope Marcellus Mass--Palestrina |
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words more important than harmony composer could break rules where words required it "A un giro sol"--Monteverdi |
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vocal style w/ single voice over basso-continuo-like accompaniment patterned after Greek style, Galilei promoted this "Amarilla mia Bella"--Caccini |
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characteristics of both aria and recitative possibly melisma, melodic repetition can be emotional yet also deliver imp. plot points Pastore speeches from L'Orfeo--Monteverdi |
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collection of members of nobility in Mantua discussed books/music/poetry b/c wanted to be cultured and knowledgeable partially responsible for production of Monteverdi's L'Orfeo |
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ensemble of instruments or voices w/ 1+ instruments, or a work for such an ensemble generally has basso continuo support "In Ecclesiis"--Gabrieli |
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composition uses different divided groups and puts them in differing spaces Vespro della Beate Virgina--Monteverdi |
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used in 15th and 16th century choir freeform chanting while sitting on one chord comes to a cadence "Dixit Dominus" from Vespro della Beate Virgine--Monteverdi |
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