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-from the North of France -worked in Italy for 25 years -Ave maris stella -homophonic Gregorian hymn -addressed the Virgin Mary -paraphrased or embellished with extra notes and extensions of notes |
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music musical composition that uses simultaneous, largely independent, melodic parts, lines, or voices |
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music of a largely chordal style in which there is no independence of voice parts, but rather a simple harmonization of a melody |
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-New version of polyphony called chansons: more gentle, simple, and supple -Consists of 5 polyphonic settings for the Mass -Kyrie -Gloria -Credo -Sanctus -Agnus Dei -Used to unify the Mass |
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-born in North of France -he brought the new techniques of chanson and motet to the Mass -Pange Lingua Mass -Gregorian hymn -Mass that consisted of four sections -In the Kyrie of his Mass he includes a point of imitation or the repetition of a short passage of the compositions text |
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-church or choir master -Pope Marcellus Mass -same words as Josquin’s Pange Lingua -much more homophonic texture |
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-example of secular music of the time -homophony -Imitative polyphony -Word painting- illustration of the text or using the voice to describe the text - music followed the meaning of the words -declamation- words sung to rhythms and melodies that approximated normal speech patterns--setting the text to the music almost as if you were speaking it |
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-Normally A Cappella -Instruments weren’t sophisticated and were out of tune -Timbre- tone color -Much of the music was transcribed for instruments -Music was written more for singing than for playing -Some music however were made instruments to play and these were most commonly “dances” -Choreographed by the meter -Galliard “Daphne”- triple meter -A new rhythm comes and is repeated and they another and it is repeated and so on -Aa, bb ,cc , dd , etc. -Anonymous “Kemp’s Jig” |
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same music with different text |
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