Term
| Importance of the Catholic Church |
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Definition
-only source of church
-divine office (everyday worship)
-mass (worship service)
-Patronage service (church number one) |
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Definition
| -credited for having system of music for church organization anc chant notation |
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Term
| Characteristics of Gregorian Chant |
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Definition
-plainsong, plain chant
-sung both in mass and divine office
-monophony
-sung in Latin
-flexible rhythm and tempo w/o meter
-unmeasured, free flowing rhythm
-no major/minorkey system |
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Definition
| text is changed according to church |
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Definition
Kyrie-Gloria-Credo-Sanctus
Agnuus Dei |
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Term
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Definition
| music in literature of Catholic Church service |
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Definition
| proper mass and orginary mass |
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Term
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Definition
| a series of notes are assigned to one syllable of text |
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Definition
| one note for each syllable |
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Term
| what was the early polyphonic texture |
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Definition
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Definition
| drone-like held chant melody in bottom voice, added line to top movign with shorter note |
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Definition
| -best known female composer |
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Term
| characteristics of Secular Music |
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Definition
-played by improvisation, and passed by oral tradition
-non-religious music, using vernacular |
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Term
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Definition
| everyday language of a particular region |
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Definition
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Definition
| started out as traveling musician/entertainers/typically instrumentalists attached to a court |
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| status of woman in the middle ages |
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Definition
| not allowed to participate in services, but active in convent |
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Term
| general characteristics of Renaissance Music |
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Definition
-'known' composers, credit
-concept of composition
-vocal music was more important than instrumental music |
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Definition
-the most influential figure
-composed both sacred and secular music |
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| characteristics of Renaissance vocal music |
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Definition
| -music-making in home--aristocratic entertainment, for amateur performance |
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Definition
| music based on Gregonian chant melodies |
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Definition
| when one voice is presented and hten restated immediately by another voice |
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Definition
-note against note
-the compositional procedure, pratice of combining melodically independent parts |
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Definition
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Definition
| singing without instruments |
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Definition
| -father of both reformation and protestant congregational singing |
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Term
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Definition
| musical form in which multiple stanzas of text are set to the same melody |
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Term
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Definition
| -a hymn designed for congregational singing |
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Term
| characteristics of madrigal |
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Definition
-a peice for multiple voice parts set to secular poem
-sung in vernacular
composed in th 16th and early 17th century |
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Term
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Definition
| musical representation of specific poetic images, often found in Renaissance and Baroque music, stragedy used to highlight meaning in text |
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| Renaissance instrumental music |
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Definition
| -indended for dancing, mostly improvisded |
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Definition
| the most popular instrument, transcribed from vocal or dance music |
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Definition
| solo vocal songs with lute accompaniment |
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Term
| general characteristics of Baroque music |
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Definition
-representation of clear emotion states, drastic changes of mood
-sudden changes in dynamic level, no gradual change |
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Definition
| beat is far more emphasized and steady tempo |
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Definition
-one melody
-mono+melody+instr. music |
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Definition
-composed madrigal and operas
-the 1st composer of opera production
-introduced opera as a major art form |
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Definition
-first English composer of his day
-served as an organist of Westminster Abbey |
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Definition
| male singer whose role is woman on stage |
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Definition
| major innovation in muscial genre, involves music, acting, poetry, dance, and costume |
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Definition
| combination of singing and speech, flexible rhythm following inflection of the text |
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Definition
| accompanied lyrical style singing, melodic and expressive |
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Definition
| the text to be sung in an opera |
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Term
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Definition
| group of singers, homophonic texture to understand words, less text to emphasize certian mood or work |
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