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| Jan Van Eyck, Giovanni Arnolfini and His Bride, 1434. Oil on wood, 2' 9" x 1' 10 1/2''. National Gallery, London |
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| Claus Sluter, Well of Moses, Chartreuse de Champmol, Dijon, France, 1395-1406. Limestone with traces of paint, Moses 6' high |
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| Melchior Broederlam, Retable de Champmol, from the chapel of the Chartreuse de Champmol, Dijon, France, installed 1399. Oil on wood, each wing 5' 5 3/4'' x 4' 1 1/4''. Musee des Beaux- Arts, Dijon |
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| Robert Campin (Master of Flemalle), Merode Altarpiece (open), ca. 1425-1428. Oil on wood, center panel 2' 1 3/8'' x 2' 7/8'', each wing 2' 1 3/8'' x 10 7/8''. Metropolitan Museum of Art, New York (The Cloisters Collection, 1945) |
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| Jan Van Eyck, Ghent Altarpiece (closed), Saint Bavo Cathedral, Ghent, Belgium, completed 1432. Oil on wood, 11' 5'' x 7' 6'' |
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| Jan Van Eyck, Ghent Altarpiece (open), Saint Bavo Cathedral, Ghent, Belgium, completed 1432. Oil on wood, 11' 5'' x 15' 1'' |
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| Jan Van Eyck, Man in a Red Turban, 1433. Oil on wood, 1' 1 1/8'' x 10 1/4''. National Gallery, London |
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| Rogier Van Der Weyden, Deposition, center panel of a triptych from Notre-Dame hors-les-murs, Louvian, Belgium, ca. 1435. Oil on wood, 7' 2 5/8'' x 8' 7 1/8''. Museo del Prado, Madrid |
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| Rogier Van Der Weyden, Saint Luke Drawing the Virgin, ca. 1435-1440. Oil and tempera on wood, 4' 6 1/8'' x 3' 7 5/8''. Museum of Fine Arts, Boston |
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| Rogier Van Der Weyden, Portrait of a Lady, ca. 1440. Oil on panel 1' 1 3/8'' x 10 1/16''. National Gallery, Washington, D.C. |
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| Petrus Christus, A Goldsmith in His Shop, 1449. Oil on wood. 3' 3'' x 2' 10''. Metropolitan Museum of Art, New York |
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| Dirk Bouts, Last Supper, center panel of the Altarpiece of the Holy Sacrament, Saint Peter's, Louvain, Belgium, 1464-1468. Oil on wood, 6' x 5' |
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| Hugo Van Der Goes, Portinari Altarpiece (open), from Sant'Egidio, Florence, Italy, ca. 1476. Tempera and oil on wood, center panel 8' 3 1/2'' x 10', each wing 8' 3 1/2'' x 4' 7 1/2'' Galleria degli Uffizi, Florence |
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| Hans Memling, Virgin with Saints and Angels, center panel of the Saint John Altarpiece, Hospitaal Sint Jan, Bruges, Belgium, 1479. Oil on wood, 5' 7 3/4'' x 5' 7 3/4'' (center panel), 5' 7 3/4'' x 2' 7 1/8'' (each wing). |
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| Limbourg Brothers (Pol, Jean, Herman), January, from Les Tres Riches Heures du Duc de Barry, 1413-1416. Ink on vellum, 8 7/8'' x 5 3/8''. Musee Conde, Chantilly |
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| Limbourg Brothers (Pol, Jean, Herman), October, from Les Tres Riches Heures du Duc de Berry, 1413-1416. Ink on vellum, 8 7/8'' x 5 3/8''. Musee Conde, Chantilly |
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| Jean Fouquet, Melun Diptych, Etienne Chevalier and Saint Stephen (left wing), ca. 1450. Oil on wood, 3' 1/2'' x 2' 9 1/2''. Gemaldegalerie, Staatliche Museen, Berlin |
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| Jean Fouquet, Melun Diptych. Virgin and Child (right wing), ca. 1451. Oil on wood, 3' 1 1/4'' x 2' 9 1/2''. Koninklijk Museum voor Schone Kunsten, Antwerp |
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| Veit Stoss, Death and Assumption of the Virgin (wings open), altar of the Virgin Mary, church of Saint Mary, Krakow, Poland, 1477-1489. Painted and gilded wood, central panel 23' 9'' high |
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| Tilman Riemenschneider, The Assumption of the Virgin, center panel of the Creglingen Altarpiece, Herrgottskirche, Creglingen, Germany, ca. 1495- 1499. Lindenwood, 6' 1'' wide |
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| Konrad Witz, Miraculous Draught of Fish, from the Altarpiece of Saint Peter, from the Chapel of Notre-Dame des Maccabees, Cathedral of Saint Peter, Geneva, Switzerland, 1444. Oil on wood, 4' 3'' x 5' 1''. Musee d'Art et d'Histoire, Geneva |
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| Michel Wolgemut and shop, Tarvisium, page from the Nuremberg Chronicle, 1493. Woodcut, 1' 2'' x 9''. Printed by Anton Koberger |
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| Martin Schongauer, Saint Anthony Tormented by Demons, ca. 1480-1490. Engraving, 1' 1/4'' x 9''. Fondazione Magnani Rocca, Corte di Mamiano |
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