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school of pisa - 12th c. - panel ugly, christ alive and floating christus triumph images in terminals and behind torso in siena, romanesque |
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school of pisa - 1230 - panel like #15 but gold and christ dead suffering christ started in old st peters |
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St Francis with scenes from his life |
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Bonaventura Berlinghieri - 1235 - panel black robed st frances in gold house
st. francis started the set-up manger thing |
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Coppo di Marcovaldo
madonna and child |
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1265- in orvieto gold, mary has on crown and head bent, christ looks like little man. striations on lap-byzantine style early christian, ornate |
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Enthroned Madonna and Child with Angels and Prophets |
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cimabue - 1280 - tempura on wood for sta trinita in florence stacked heads - pre-giotto where halos cover faces |
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1285 - panel dull color, christ kind of slumped with graceful arch |
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nicola pisano - 1259 both nativity and crucifiction marble romanesque- mary in center looks very strong like in cleopatra pose |
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Mary sister of moses- mirium |
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giovanni pisano - marble - 1284 from fascade of siena cathedral neck craned out so you can see from below |
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Giovanni Pisano - 1298 - marble. ornate, animals at bottom of some columns nativity and crucifiction scenes on top |
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Madonna and child for Arena Chapel |
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Giovanni pisano - 1305 - marble mary and christ look at eachother |
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1246 - in Florence gothic arches with islamic looking b&w alt. on edges |
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1492 - in florence very gold, very busy with christ as my homie in center of vault |
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1305 - Giotto - fresco in Padua commission by enrico scrovegni blue chapel |
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Enthroned Madonna with Saints |
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giotto - 1305 - panel halos cover faces for church of the ognissanti in florence |
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giotto - 1320's - fresco bardi chapel, S. croce, in florence francis in center laying down, clergy members surround most with heads bowed pink back with teal sky |
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andrea pisano - 1334 - marble from companile in florence god bent over handing something to adam in square |
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Stimatization of St. Francis |
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giotto - 1320's - fresco bardi chapel in s. croce in florence christ above francis, gold lines connect the two showing places of stimata feet,hands,ribs |
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Annunciation to the Shephards |
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Taddeo Gaddi - 1328 baroncelli chapel, s. croce, florence setup like giottos stimata gold angel on top guy looking back w/ animals on bottom |
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Salome Presenting the Baptist's Head to Herodias |
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andrea pisano - 1330 - bronze from the south doors of florence baptistry in quatrafoil frame |
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Duccio - 1285 - tempura and gold leaf on panel in florence like cimabue and giotto's but only six angels in colored garments |
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Enthroned Madonna and Child |
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Definition
duccio - 1308 - tempura on panel from Maesta Alterpiece for siena cathedral nativity, entry into jerusalem, and crucifiction. long rectangle, bunch of squared off scenes. gold. |
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St. Louis of Toulouse Crowning Robert of Anjou, King of Naples |
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Definition
Simone Martini - 1317 - panel very gold, just the two people. high dec border. angels have hands on his crown |
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Simone Martini's Annunciation |
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Definition
1333 - tempura and g. l. on panel for secondary altar in Siena Cathedral Almost all gold but Mary in black, she shys away, angel has plant in his hand |
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The Blessed Agostino Novello and Four of his Miracles |
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Definition
Simone Martini - 1330 - temp/g.l on panel in Siena him with black robe and red book head cocked like he's listening |
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Simone Martini - 1340 - temp on panel bright color, crowded, christ carring cross in red |
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Pietro Lorenzetti - 1340 - temp on panel for secondary altar in siena cathedral floor and bed show the depth. mostly black orange green and gold. mary cut in half by the panels. baby washed in front center genre touch on left |
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Presentation in the Temple |
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Ambrogio Lorenzetti - 1342 - temp on panel 2ndary altar in siena cathedral where blind holds christ recognize as messiah. ref to holy seplicur on top |
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Allegory of Good and Bad Government |
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Definition
Ambrogio Lorenzetti - 1338 - fresco landscapes, inticate on top and bottom |
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Enthroned Christ with Madonna and Saints |
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Definition
Andrea Orcagna - 1354 - temp on panel strozzi chapel, s. m. novella florence split with traditional ideas on R and the domincan ideas on L |
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Fillipo Brunelleschi - 1419 - florence orphanage, long line of arches detail of child wrapped-ref. to taking in children |
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Fillipo Brunelleschi - 1418 - Florence S. Lorenzo. used for burial, square floor plan |
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Dome for Cathedral of Florence |
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Fillipo Brunelleschi - 1420 dome seperated by windows->seperate realm double shelled and herring bone brick pattern kept it strong |
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Medici Palace in Florence a lot of striations, all white |
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rough finish on buildings |
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giotto took hold of this. he his thought to be the ultimate "observer of nature" of the time. |
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grey figures meant to be artificial statues, not actual people |
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figures meant to stand for idea |
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most expensive form of dec. esp. certain blue color. sinopia, intonacco, arriccio, giornata |
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town hall, built like fortress crenalation to shoot arrows from embattlement rustification |
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important b/c italy was dangerous |
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