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Gauguin Vision after the Sermon 1888 grand abstracted vision, simplication of forms (primitive) flat colors (very different from Impressionist tasch) idea that art made by a human being is better than nature or mimetically copying it
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Gauguin The Yellow Christ 1889 biblical scenes depicted as avante-garden and abstract crude nunanced whips and vails of color hermetesism: rejected an obvious, literal meaning
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Gauguin Where do we come from? What are we? Where are we going? 1897 suiggestiveness and mystery androgynous, youthful traditional western religious spiritualism depicts cyclic character of human life used adjacent, no complimentary colors
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