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Dipylon Krater--8th c. BCE
--beginning of uptake in artistic creation
-Dipylon--where it was used and made. used to mark grave outside of Athens
-krater--form of the vase. could be used on different scales. some at drinking parties, some for grave markers. big mixing bowl
-part of the Geometric Period--shapes are very pure
-shows funerary procession of an important person
-enlivening quality of the object/material was a sign of wealth and his importance in the social scene
-symposium: drinking party for men and corteseans. drank and discussed politics and philosophy and had sex. |
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amphora with mythological scenes-8 c. BCE
-amphora--storage space
-two fields of figures--one of humans and one of animals
-animals are similar to those found on the Ishtar Gate
-picture well known episodes from Greek mythology
Bottom Scene
-women given lighter skin like Egyptian art
-women shown are the Gorgon sisters--remaining Medusa is going after Perseus for killing her sisters
-Medusa head (turns people to stone) is taken and used as a protective decoration
Top Scene
-Scene of the Cyclops from the Odyssey
-bodies are more defined than in Geometric Period...lively |
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Ajax and Achilles Vase--ca. 540 BCE
Exekias
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Krater with death of Sarpedon--ca. 515
Euphronios |
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Kouros boy from Met--600-590 BCE
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| Kroisos (from Anavysos),--540-525 |
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| "Blonde Boy"--ca. 480 BCE |
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| Temple of Artemis, Corfu, 600-580 |
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| East Pediment of the Temple of Aphaia Aegina--500-480 BCE |
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| Paestum, Temple to Hera 1--ca. 550 BCE |
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Olympia, Temple of Zeus, East Pediment of Apollo
--460 BCE |
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| Olympia, Temple of Zeus, west pediment--460 BCE |
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| bronze god found at Artemision (Zeus or Poseidon)--460 BCE |
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| Iktinos and Kallikrates-The Parthenon- c 447-432 BCE |
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| Parthenon south metope, Lapith and centaur, c. 447-432 |
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| -Parthenon-North Freize with riders-447-432 BCE |
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| Parthenon-East Pediment-Three Goddesses-c.447-432 BCE |
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| Victory from Temple of Athena Nike--c. 410 BCE |
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| Portrait of Mausolus, c. 350s |
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| -Praxiteles-Cnidian Aphrodite, 330s BCE |
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| -Lysippus-Athlete Scraping Himself-330 BCE |
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| Alexander Defeats Persians--Roman Mosaic- c. 320s |
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| -Dying Gaul/Trumpeter, c. 220s BCE |
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| -Altar of Zeus Athena Freize, ca.180-150 BCE |
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| Laocoon Pergamon Altar--2nd Century BCE |
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| -statue of a Roman General, 70s BCE |
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| -Etruscan Couple Sarcophagus--ca. 520 BCE |
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| -toga-wearing Roman noble with ancestor busts, late 1st BCE |
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| -Augustus of primaporta-20 BCE |
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| -Altar of Peace, Ara Pacis Augustae--c. 10 BCE |
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| Panel of Abundance-10 BCE |
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| -south processional freize of ara pacis--10 BCE |
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| -Floral Freize of Ara Pacis--c. 10 BCE |
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| Head of Vespasian-c.early 1st century |
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| Flavian Princess Bust-ca. 90 BCE |
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| Arch of Titus--booty panel--80s BCE |
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| -Arch of Titus-triumphal chariot-80s BCE |
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| Trajan's Column-ca. 110 BCE |
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| Statue of Marchus Aurelius on a Horse--170s BCE |
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| Colossal head of Constantine-ca. 320 |
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| Villa/Room of Mysteries-50 BCE |
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| -rear walls of room of mysteries-50 BCE |
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| -Garden Room in Villa of Livia at Primaporta- 20 BCE |
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| Pompeii Atrium House--60s and 70s CE |
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| -Tivoli, circular temple (Sibyl), early 1st c. BCE |
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| Sanctuary of fortuna in Praeneste-late 2nd century BCE |
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| Santuary of Fortuna--fullscale model version |
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| Front View of Pantheon facade--120s BCE |
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| -Pantheon interior in 18th c. painting |
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| Pantheon dome with light beam |
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| Arch of Constantine--315CE |
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| Seige of verona freize on Arch of Constantine-315 |
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| Imperial speech freize--310 |
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| Consecration of Tabernacle-245-246CE |
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| Lunette over baptismal basin- |
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| one of the three gorgon sisters. could turn people to stone by looking at them. Slain by perseus. used as an emblem of protection in greek art. |
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| A kouros (plural kouroi, Ancient Greek κοῦρος) is the modern term given to those representations of male youths which first appear in the Archaic period in Greece. |
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| an Italian term that means counterpose. It is used in the visual arts to describe a human figure standing with most of its weight on one foot so that its shoulders and arms twist off-axis from the hips and legs. This gives the figure a more dynamic, or alternatively relaxed appearance. |
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| The Ionic order originated in the mid-6th century BC in Ionia.The Ionic columns normally stand on a base which separates the shaft of the column from the stylobate or platform. Angled corners made it more visually pleasing |
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| In their original Greek version, Doric columns stood directly on the flat pavement (the stylobate) of a temple without a base; their vertical shafts were fluted with 20 parallel concave grooves; and they were topped by a smooth capital that flared from the column to meet a square abacus at the intersection with the horizontal beam (entablature) that they carried. |
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| refers to the superstructure of moldings and bands which lie horizontally above columns, resting on their capitals. |
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| the lintel or beam that rests on the capitals of the columns. |
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| an architectural term for the vertically channeled tablets of the Doric frieze |
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| The square recessed spaces between the triglyphs on a Doric frieze |
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| Of or relating to all Greek peoples |
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