Term
|
Definition
A book made by hand with illustrations. |
|
|
Term
|
Definition
A group of buildings in which monks live together, set apart from the secular community of a town. |
|
|
Term
|
Definition
A monastery courtyard, usually with covered walks or ambulatories along its sides. |
|
|
Term
|
Definition
A water based paint made of a pigment mixed with a binder, traditionally egg yolk. |
|
|
Term
|
Definition
Animal skin prepared as a surface for painting or writing. |
|
|
Term
|
Definition
Purse Cover from Sutton Hoo ship burial, ca. 620, gold, glass, enamel, stones |
|
|
Term
|
Definition
Book of Kells (Chi-rho-iota page), ca. 800, illuminated manuscript with tempera on parchment |
|
|
Term
|
Definition
Travel to an important, often holy location. |
|
|
Term
|
Definition
relics - Remains of the body of a saint, or clothing or other objects associated with a saint.
reliquary - A container for holding relics. |
|
|
Term
|
Definition
Nave: The central area of an ancient Roman basilica or of a church, demarcated from aisles by piers or columns.
Side Aisles: The portions of a basilica flanking the nave and seperated from it by a row of columns or compound piers of alternating form. |
|
|
Term
|
Definition
A deep arch or an uninterrupted series of arches, one behind the other, over an oblong space. |
|
|
Term
|
Definition
The point at which two barrel vaults intersect at right angles. |
|
|
Term
|
Definition
The part of the church with an axis that crosses the nave at a right angle. |
|
|
Term
|
Definition
apse - A recess, usually semicircular, in the wall of a building, commonly found at the east end of a church.
ambulatory - A covered walkway, outdoors (as in a church cloister) or indoors; especially the passageway around the apse and the choir of a church. |
|
|
Term
|
Definition
A large decorated doorway. |
|
|
Term
|
Definition
|
|
Term
|
Definition
A horizontal beam used to span an opening. |
|
|
Term
|
Definition
The space enclosed by a lintel and an arch over a doorway. |
|
|
Term
|
Definition
Church of Saint-Sernin, Toulouse (France), ca. 1100 |
|
|
Term
|
Definition
Gislebertus, Last Judgment tympanum and other sculptures, Church of Saint-Lazare, Autun (France), ca. 1130, stone |
|
|
Term
|
Definition
A vault in which the diagonal and transverse ribs compose a structural skeleton that partially supports the masonry web between them. |
|
|
Term
|
Definition
An inclined member carried on an arch or series of arches and a solid buttress to which it transmits lateral thrust. |
|
|
Term
|
Definition
A narrow arch of pointed profile, in contrast to a semi-circular arch. |
|
|
Term
|
Definition
The fenestrated part of a building that rises above the roofs of the other parts. |
|
|
Term
|
Definition
A window made of colored glass used to make pictures and patterns. |
|
|
Term
|
Definition
Chartres Cathedral, Chartes (France), begun 1194 |
|
|
Term
|
Definition
Royal Portal (the west façade entranceway), Chartes Cathedral, ca. 1145, stone |
|
|
Term
|
Definition
Jamb Statues of Queens, Kings, and Old Testament Figures, Chartres Cathedral, ca. 1145, stone |
|
|
Term
|
Definition
Sainte-Chapelle, Paris (France), ca. 1245 |
|
|
Term
|
Definition
Virgin of Paris, ca. 1300, limestone |
|
|
Term
|
Definition
God as Architect of the World, ca. 1220, illuminated manuscript with tempera and gold on parchment |
|
|
Term
|
Definition
French for "rebirth". The artistic period in Europe from the 14th to 16th centuries when artists revived naturalistic (realistic) imagery based on the study of classical art (antique art, Greek and Roman art) and the study of the natural world (landspace, anatomy). |
|
|
Term
|
Definition
A panel representing a religious subject, either painted or sculpted, situated above and behind an altar. |
|
|
Term
|
Definition
A paint made of pigment ground in oil, usually linseed oil.
- slow drying
- does not mix well
- can add much detail
- very good for painting reflective surfaces
- stark transitions from light to dark
- might have been invented to paint skin |
|
|
Term
|
Definition
The standing human figure in a natural, relaxed pose, in which one part is turned in opposition to another part (usually hips and legs one way, shoulders and chest another), creating a counterpositioning of the body about its central axis. |
|
|
Term
|
Definition
Painting on lime plaster, either dry (dry fresco, or fresco secco) or wet (true, or buon, fresco). In the latter method, the pigments are mixed with water and become chemically bound to the freshly laid wet lime plaster.
Also, a mural painting executed in either method. |
|
|
Term
perspective, linear perspective, and atmospheric perspective |
|
Definition
Perspective: A method used to present an illusion of the three-dimensional world on a two dimensional surface.
Atmospheric Perspective: Suggestion of depth through dimunition of color tone and intensity; increased haziness, and often blueness in the distance (that is, the imitation of atmospheric effects).
Linear Perspective: The use of parallel lines converging on a vanishing point on the horizon and the reduction of size of elements according to the geometric scheme. |
|
|
Term
|
Definition
The use of perspective to represent in art the apparent visual contraction of an object that extends back in space at an angle to the perpendicular plane of sight. |
|
|
Term
|
Definition
Cimabue, Madonna Enthroned with Angels, ca. 1280, tempera and gold/wood |
|
|
Term
|
Definition
Giotto, Madonna Enthroned (Ognissanti Madonna), ca. 1310, tempera and gold on wood |
|
|
Term
|
Definition
Giotto, Lamentation and Last Judgement, ca. 1305, fresco [Arena Chapel (Cappella Scrovegni), Padua] |
|
|
Term
|
Definition
Filippo Brunelleschi, Dome of the Cathedral of Florence, 1420-1436 |
|
|
Term
|
Definition
Donatello, David, ca. 1450, bronze |
|
|
Term
|
Definition
Masaccio, Tribute Money, ca. 1425, fresco [Brancacci Chapel, Santa Maria del Carmine, Florence] |
|
|
Term
|
Definition
Andrea Mantegna, Camera Picta, 1474, fresco [Palazzo Ducale, Mantua] |
|
|
Term
|
Definition
Jan van Eyck, Arnolfini Wedding Portrait, 1434, oil on wood |
|
|