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COMPARES TWO UNLIKE THINGS USING THE WORD LIKE OR AS. |
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DIRECT COMPARISON BETWEEN TWO UNLIKE THINGS. (IT DOES NOT USE THE WORDS LIKE OR AS) |
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DIRECT COMPARISON BETWEEN TWO UNLIKE THINGS. (IT DOES NOT USE THE WORDS LIKE OR AS) |
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WORD OR EXPRESSION WHICH MEANS SOMETHING DIFFERENT FROM WHAT THE WORDS ACTUALLY SAY. (for example: over his head for he didn't understand) |
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APPEALS TO THE FIVE SENSE. HELPS ADD TO THE READER'S ENJOYMENT OF WHAT IS BEING DESCRIBED. |
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APPEALS TO THE FIVE SENSE. HELPS ADD TO THE READER'S ENJOYMENT OF WHAT IS BEING DESCRIBED. |
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COMPARISON OF SOMETHING UNFAMILIAR WITH SOMETHING THAT IS BETTER KNOWN, MAKES COMPARISON TO HELP UNDERSTANDING |
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EXAGGERATION THE IS OBVIOUS STRETCHING OF THE TRUTH IN ORDER TO HELP EMPHASIZE A STRONG FEELING OR TO CREATE A HUMOROUS EFFECT. |
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USE OF WORDS THAT IMITATE THE SOUNDS THEY DESCRIBE. ex: buzz, bang, plop, moo, smack, pow, wham, quack |
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FIGURE OF SPEECH IN WHICH POETS GIVE AN ANIMAL OR OBJECT THE HUMAN QUALITIES, SUCH AS THE ABILITY TO LIVE, SING, FEEL, CRY, TALK AND MAKE DECISIONS. |
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SOMETHING CONCRETE THAT STANDS FOR SOMETHING ELSE SUCH AS AN IDEA OR EMOTION. |
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THE "BIG IDEA" OF A SINGLE PARAGRAPH OF AN ENTRIE STORY/TEXT; THE CENTRAL POINT THAT AUTHOR MAKES; THE GIST OF A PASSAGE |
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THE GENERAL CATERGORY OR CLASS OF IDEAS OFTEN STATED IN A WORD OR PHASE |
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STATEMENTS OF INFORMATION THAT CAN BE VERIFIED AS TRUE |
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STATEMENTS OF BELIEF, JUDGEMENT, OR POINTS OF VIEW THAT ARE BASED ON PERSONAL PREFERENCES OR BIASES |
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THE "MAIN" CHARACTER OF THE STORY OR NOVEL, ONE WHO IS USUALLY SYMPATHETIC AND RESPECTFUL |
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PERSON, OR GROUP OF PEOPLE, FORCE OF NATURE, OR SOMETHING WITHIN THE PROTAGONIST'S PERSONALITY OPPOSING TO CORRUPT THE PROTAGONIST. |
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A CHARACTER CONSTRUCTED AROUND A SINGLE IDEA OR QUALITY |
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CHARACTERS THAT ARE MOST LIKE PEOPLE IN REAL LIFE |
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CHARACTERS THAT OFTEN REMAIN THE SAME |
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CHARACTERS CHANGE AS A RESULT OF THEIR EXPERIENCES |
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WHEN AND WHEN THE STORY OR NOVEL TAKES PLACE |
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DIFFERENCES BETWEEN CHARACTER ACTIONS IN A STORY; TWO OPPOSING IDEAS |
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THE HIGHEST POINT IN A STORY OR NOVEL, CRUCIAL MOMENT OCCURS WHEN THE CHARACTER MUST ACT OR MAKE A DECISION OR WHEN FATE INTERVENES |
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THE POINT WHERE THE CONFLICT WILL BE SOLVED |
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ACTION THAT HAPPENS AFTER THE CLIMAX OF A NOVEL; THE ENDING OR RESOLUTION |
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A SERIES OF CRISES OR TURNING POINTS BUILDING TENSION TOWARD THE CLIMAX |
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HOW THE STORY'S CENTRAL PROBLEM IS RESOLVED; BRING THE CONFLICT TO AN END |
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EVENTS THAT ARE HAPPENING AT THE SAME TIME |
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