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Thomas Hart Benton. Lord is my Shepherd. 1930 -elderly deaf couple -expressionist style of exaggeration -conveys life in Midwest, had no patience for the city, world would be better without the city |
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Thomas Hart Benton. City Building, from America Today Mural Series. 1930 -can be private or public -building up of cities -modes of recreation -all races working together |
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Thomas Hart Benton. City Activities with Dance Hall, from America Today. 1930 -mural series -building up American themes and pastimes |
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Harry Sternberg. The Family-Industry and Agriculture. 1940 -government doesn't want anything to do with modernisms -very standard -nuclear family |
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Jack Levine. Feast of Pure Reason. 1940 -product of WPA also social realist -not a new yorker, from Boston -interested in political corruption -police could be bought by gangs, this exposes corruption |
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Dorothea Lange. Tractored Out Childress County, Texas. 1940 -barren realistic -texture and lines are interesting -black and white adds to desperation |
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John Steuart Curry. Baptism in Kansas. 1930 -an heir to realism, but did not focus on city -piety in small town, religion, homegrown values -interference of modern life -they are happy because they do honest labor -midwestern themes, before crash of stock market -more loose brushstroke |
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Alexandre Hogue. Drought Stricken Area. 1935 -part of the Dallas 9 -his mom was very earth friendly, loved the land, take care of it -very precise, called abstract realist -very concerned about land -it was tractored out, cow starving, empty recedes into the background -negative view on whats happening to the land -physchoreality, ecocentric messages gets across |
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Edward Hopper. Early Sunday Morning. 1930 -exhibited with the Eight once or twice -not part of the WPA or FSA -type of realist but not social -painter of solititude, isolation -good lighting, very nostalgic |
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