Term
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Definition
Bonaventura BERLINGHIERI
Panel From St. Francis Altarpiece
1235 Italy Byzantine
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Term
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Definition
CIMABUE
Madonna Enthroned with Angels and Prophets (Maesta)
1280-1290 Italy Byzantine |
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Term
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Definition
DUCCIO
Virgin and Child Enthroned with Saints (From Maesta Altarpiece)
1308-1311 Italy Byzantine |
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Term
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Definition
DUCCIO
The Betrayal of Jesus (Detail from Maesta Altarpiece, Sienna Cathedral)
1309-1311 Italy Byzantine |
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Term
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Definition
GIOTTO di Bodone
Madonna Enthroned
1310 Italy Proto-Renaissance |
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Term
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Definition
GIOTTO di Bondone
Lamentation
1305 Italy Proto-Renaissance |
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Term
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Definition
Simone MARTINI
The Annunciation
1333 Italy International Gothic |
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Term
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Definition
Pietro LORENZETTI
The Birth of the Virgin
1342 Italy Proto-Renaissance |
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Term
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Definition
Ambrogio LORENZETTI
Peaceful City (Detail from Effects of Good Government in the City and Country)
1338-1339 Italy Proto-Renaissance |
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Term
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Definition
Ambrogio LORENZETTI
Peaceful Country (Detail from Effects of Good Government in the City and Country)
1338-1339 Italy Proto-Renaissance |
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Term
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Definition
LIMBOURG BROTHERS
January (Illumination from The Very Sumptuous Hours of the Duke of Berry)
1413-1416 Flanders International [Gothic] Style |
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Term
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Definition
LIMBOURG BROTHERS
October (Illumination from The Very Sumptuous Hours of the Duke of Berry)
1413-1416 Flanders International [Gothic] Style |
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Term
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Definition
Claus SLUTER
Well of Moses
1395-1406 Flanders Northern Renaissance |
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Term
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Definition
ROBERT CAMPIN
The Merode Altarpiece (Triptych of the Annunciation)
1425-1428 Flanders Northern Renaissance
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Term
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Definition
JAN VAN EYCK
The Ghent Altarpiece (Closed)
1432 Flanders Northern Renaissance |
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Term
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Definition
JAN VAN EYCK
The Ghent Altarpiece (Open)
1432 Flanders Northern Renaissance |
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Term
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Definition
JAN VAN EYCK
Giovanni Arnolfini and His Bride (The Arnolfini Wedding Portrait)
1434 Flanders Northern Renaissance |
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Term
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Definition
JAN VAN EYCK
Man in a Red Turban
1433 Flanders Northern Renaissance |
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Term
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Definition
ROGIER van der WEYDEN
Deposition (The Escorial Deposition center panel from an altarpiece)
1435 Flanders Northern Renaissance |
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Term
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Definition
ROGIER van der WEYDEN
Portrait of a Lady
1460 Flanders Northern Renaissance |
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Term
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Definition
HUGO van der GOES
The Portinari Altarpiece
1476 Flanders Northern Renaissance |
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Term
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Definition
NANNI di BANCO
Four Crowned Saints (Or San Michele, Guild Hall)
1410-1416 Italy Renaissance |
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Term
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Definition
DONATELLO
St. Mark (from Or San Michele)
1411-1413 Italy Renaissance |
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Term
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Definition
DONATELLO
David
1440-1460 or 1428-1432 Italy Renaissance |
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Term
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Definition
DONATELLO
Equestrian Statue of Erasmo da Narni (Gattemelata)
1445-1453 Italy Renaissance |
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Term
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Definition
In the Renaissance, an emphasis on education and on expanding knowledge (especially of classical antiquity), the exploration of individual potential and a desire to excel, and a commitment to civic responsibility and moral duty. |
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Term
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Definition
An artistic convention in which greater size indicates greater importance.
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Term
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Definition
The doctrine that art should adhere as closely as possible to the appearance of the natural world. Naturalism, with varying degrees of fidelity to appearance, recurs in the history of Western art. |
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Term
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Definition
Literally "the writing of images." The term refers both to the content, or subject of an art work and to the study of content in art. Includes the study of the symbolic, often religious, ,eanngs of objects, persons or events depicted in works of art. |
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Term
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Definition
In European history, the period of roughly 1000 years (c. 400 AD & 1400 AD) from the end of the Western Roman Empire to the Renaissance. |
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Term
Approximate (Intuitive) Perspective |
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Definition
A method of giving the impression of recession by visual instinct, not by the use of an overall program or system. |
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Term
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Definition
Fresco painted on fresh, wet plaster so the pigments become chemically bound to the plaster. |
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Term
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Definition
Fresco painted on dry plaster so it just sits on top and is not bound to the plaster. |
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Term
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Definition
A style or category of art; also a kind of painting that realistically depicts scenes from everyday life. |
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Term
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Definition
The representation in a work of art of an abstract idea or concept using specific objects or human figures. |
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Term
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Definition
Decoration with drawings (usually in gold, silver & bright colors), especially on medieval manuscript pages; Conceived in such a way that the imagery "sheds light" on the written text. |
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Term
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Definition
Pertaining to worldly things or to things that are not regarded as religious, spiritual or sacred; temporal; concerned with non-religious subjects. |
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Term
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Definition
An altarpiece composed of more than three sections |
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Term
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Definition
The symbolic object or objects that identify a particular deity, saint or personification in art. |
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Term
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Definition
A monochrome painting done mainly in neutral grays to simulate sculpture. |
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Term
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Definition
Seeing everything; depicting every minute detail to represent that God sees everything.
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Term
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Definition
Not composed of matter; having no physical existance. |
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Term
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Definition
Pertaining to the body as opposed to the spirit |
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Term
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Definition
Capital and largest city of Flanders. |
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Term
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Definition
An association of merchants, craftspersons, or scholars in medieval and Renaissance Europe. |
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Term
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Definition
Politically influential banking family in Florence during the Renaissance. |
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Term
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Definition
A term referring to the art and architecture of the ancient Greeks and Romans. |
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Term
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Definition
Any aspect of later art or architecture reminiscent of the rules, canons, and examples of the art of ancient Greece and Rome. Also, generally, any art aspiring to the qualities of restraint, balance, and rational order exemplified by the ancients. |
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Term
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Definition
The representation of things according to a preconception of ideal form or type; a kind of aesthetic distortion to produce idealized forms. |
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Term
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Definition
Rule, e.g., of proportion. The ancient Greeks considered beauty to be a matter of "correct" proportion and sought a canon of proportion, in music and for the human figure. |
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Term
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Definition
The narrow ledge on which an altarpiece rests on an altar. |
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Term
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Definition
The disposition of the human figure in which one part is turned in opposition to another part (usually hips and legs one way, shoulders and chest another), creating a counterpositioning of the body about its central axis. Sometimes called "weight shift" because the weight of the body tends to be thrown to one foot, creating tension on one side and relaxation on the other. |
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Term
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Definition
In drawing or painting, the treatment and use of light and dark, especially the gradations of light that produce the effect of modeling. |
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Term
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Definition
All parallel lines or surface edges converge on one, two, or three vanishing points located with reference to the eye level of the viewer (the horizon line of the picture), and associated objects are rendered smaller the farther from the viewer they are intended to seem. |
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Term
Aerial (Atmospheric) Perspective |
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Definition
Creates the illusion of distance by the greater diminution of color intensity, the shift in color intensity, the shift in color toward an almost neutral blue, and the blurring of contours as the intended distance between eye and object increases. |
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Term
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Definition
The use of perspective to represent in art the apparent visual contraction of an object that extends back in space at an angle to the perpendicular plane of sight. |
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Term
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Definition
Usually, the front of a building; also, the other sides when they are emphasized architecturally. |
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Term
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Definition
A circular painting or relief sculpture. |
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Term
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Definition
The representation of a nude body as if without skin. |
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Term
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Definition
The process of incizing a design in hard material, often a metal plate (usually copper); also, the print or impression made from such a plate. |
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Term
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Definition
A revival in the study of Plato's ideas on humanism (among other things) during the Renaissance. |
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Term
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Definition
A written work dealing formally and systematically with a subject. |
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Term
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Definition
A cherubic young boy/boys. |
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Term
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Definition
French, "fools the eye." A form of illusionistic painting that aims to deceive viewers into believing they are seeing the real objects rather than a representation of those objects. |
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Term
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Definition
Italian, "from below upward." A prespective view seen from below. |
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Term
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Definition
An artistic, literary, or musical composition intended to match or complement another. |
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Term
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Definition
Italian, "holy conversation." A style of altarpiece painting popular after the middle of the 15th century, in which saints from different epochs are joined in a unified space and seem to be conversing either with one another or the audience. |
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Term
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Definition
Italian, "smoky." A smokelike haziness that subtly softens outlines in painting; particularly applied to the paintings of Leonardo da Vinci and Correggio. |
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Term
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Definition
Portraying or evoking country life, typically in a romanticized or idealized form. |
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Term
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Definition
A military attack on Rome in 1527 carried out by Charles V. Entirely halted the Renaissance in Rome. |
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Term
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Definition
The reform of the Church of Rome in the 16th and 17th centuried that was stimulated by the Protestant Reformation. |
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Term
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Definition
A process in art through which artists strive to make their forms and figures attain perfection, based on pervading cultural values or their own image of what the ideal is. |
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Term
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Definition
(1511-74) Italian painter, architect, and biographer. His Lives of the Most Excellent Painters, Sculptors, and Architects (1550, enlarged 1568) formed the basis for the later study of art history in the West.
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Term
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Definition
16th-century movement for the reform of abuses in the Roman Catholic Church ending in the establishment of the Reformed and Protestant Churches. Martin Luther's 95 theses. |
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Term
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Definition
The banning or destruction of icons and religious art. Iconoclasm in 16th and 17th century Protestant territories arose from differing beliefs about power, meaning, function, and purpose of imagery in religion and religious practices. |
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Term
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Definition
A distorted image that must be viewed by some special means (such as a mirror) to be recognized. |
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Term
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Definition
Latin, "reminder of death." An object, such as a skull or extinguished candle, typically found in a vanitas image, symbolizing the transience of life. |
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Term
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Definition
Latin, "vanity." A term describing paintings (particularly 17th century Dutch still lifes) that include references to death. |
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Term
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Definition
A series of paintings, frescoes or tapestries depicting a single story or theme intended to be displayed together. |
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Term
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Definition
"Appearance of god." The appearance of a deity to a human being. |
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Term
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Definition
Unifying painting, sculpture, and architecture. |
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Term
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Definition
Painting in the "shadowy manner," using violent contrasts of light and dark, as in the work of Caravaggio. The term derives from tenebroso. |
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Term
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Definition
Painting in the style of Caravaggio. |
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Term
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Definition
An appearance of reality in a work of art created by the use of certain pictorial means such as perspective and foreshortening; the quality of having an illusionistic appearance. |
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Term
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Definition
Of or characteristic of the middle class, typically with reference to its perceived materialistic values or conventional attitudes |
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Term
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Definition
Italian, "colored" or "painted." A term used to describe the application of paint. Characteristic of the work of 16th-century Venetian artists who emphasized the appplication of paint as an important eleent of the creative process. Central Italian artists, in contrast, largely emphasized "disegno," the careful design preparation based on preliminary drawing. |
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Term
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Definition
Italian "drawing" and "design." Renaissance artists considered drawing to be the external physical manifestation (disegno esterno) of an internal intellectual idea of design (disegno interno). |
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Term
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Definition
A painting done of several people of equal importance, usually not the aristocratic class. |
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Term
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Definition
A layer of thickly applied pigment. |
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Term
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Definition
A picture depicting an arrangement of inanimate objects. |
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Term
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Definition
A kind of engraving in which the design is incised in a layer of wax or varnish on a metal plate. The parts of the plate left exposed are then etched (lightly eaten away) by the acid in which the plate is immersed after incising. |
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Term
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Definition
A style, primarily of interior design, that appeared in France around 1700. Rococo interiours featured lavish decoration, including small sculptures, ornamental mirrors, easel paintings, tapestries, reliefs, wall paintings, and elegant furniture. The term Rococo derived from the French word "rocaille" (pebble) and referred to the small stones and shells used to decorate grotto interiors. |
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Term
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Definition
French, "amorous festival." A type of Rococo painting depicting the outdoor amusements of French upper-class society. |
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Term
French Royal Academy of Painting and Sculpture |
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Definition
Paris, established 1648. They held a high standard for the arts in Paris and aimed to professionalize the practice of art making. |
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Term
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Definition
London, established 1768. An organization with the goals of creating a professional status for artists by making a solid system of education and of promoting and organizing exhibitions of art. |
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Term
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Definition
A rite of passage trip through Western Europe passing through the major cities of Antiquity and the Renaissance with the intention of absorbing the tradition and culture. Popular with English men in the mid 1600s. |
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Term
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Definition
The style of painted or sculptured representation based on close observation of the natural world that was at the core of the classical tradition. |
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Term
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Definition
A prize offered to the best young artist by the Académie Royale de Peinture et de Sculpture and paid for by Louis XIV. The prize was a free, 3 to 5 year stay in the Palazzo Mancini in Rome. |
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Term
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Definition
Established by the Royal Academy of Art.
History Painting
Religious
Classical
Actual History
Portraiture
Genre
Landscape
Animal
Still Life |
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Term
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Definition
Term denoting those paintings including figures in any kind of historical, mythological, or biblical narrative. Considered since the Renaissance (until the 20th century) as the noblest form of art. History paintings generally convey high moral or intellectual ideas, often painted in a grand pictorial style. |
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Term
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Definition
A grand and elevated style of painting popular in the Neoclassical period of the 18th century. An artist working in the Grand Manner looked to the ancients and to the Renaissance for inspiration; for portraits as well as history painting, the artist would adopt the poses, compositions, and attitudes of Renaissance and antique models. |
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Term
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Definition
Widely recognized as the first modern art historian. He published Reflections on the Imitation of Greek Works in Painting and Sculpture. |
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Term
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Definition
The imitation or depiction of aspects of Middle Eastern and East Asian cultures in art |
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Term
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Definition
Awe mixed with terror (a Romantic theory put forth in 1757 by the Englishman Edmund Burke concerning the psychological basis for aesthetic enjoyment) |
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Term
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Definition
A photograph made by an early method on a plate of chemically treated metal; developed by Louis J. M. Dauguerre. |
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Term
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Definition
A printmaking technique in which the artist uses an oil-based crayon to draw directly onto a stone plate and then wipes water onto the stone. When ink is rolled onto the plate, it adheres only to the drawing. The print produced by this method is a lithograph. |
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Term
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Definition
French, "in fresh air" or "outdoors." An approach to painting much favored by the Barbizon landscape painters and Impressionists; they frequently sketched and/or painted outdoors, direct from nature, to achieve a quick impression of light, air, and color. (Sketches/paintings often taken back to the studio for reworking into more finished works of art.) |
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Term
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Definition
The representation of things according to their appearance in visible nature (better and more accurately said, naturalism) |
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Term
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Definition
A movement that emerged in mid-19th century France; artists represented the subject matter of everyday life (especially that which up until then had been considered inappropriate for depiction) in a realistic mode. |
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Term
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Definition
Painting technique in which opaque pigments are laid on in one application of a loaded brush, with rapid, sketch-like strokes; little or no blending of successive layers of paint. (Do not confused alla prima with impasto) |
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Term
Pavillion du Réalisme (1855) |
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Definition
One-man exhibition organized by Courbet in a separate building at the Paris Exposition Universelle; issues what amounts to a realist manifesto. |
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Term
Salon des Refusés, Paris (1863) |
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Definition
By Emperor Napoleon III's decree, an alternative salon held in an adjacent room to show 687 of the 4,000+ works rejected by the official Salon, so that the public could make up their own minds about the works by the feisty artists confronting a stubborn status quo |
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Term
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Definition
French, "advance guard" (in a platoon). Late-19th and 20th century artists who emphasized innovation and challenged established convention in their work. Also used as an adjective. |
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Term
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Definition
LORENZO GHIBERTI
Gates of Paradise
1425-1452 Italy Renaissance |
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Term
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Definition
GENTILE da FABRIANO
Adoration of the Magi
1423 Italy International Style |
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Term
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Definition
MASACCIO
Tribute Money
1424-27 Italy Renaissance |
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Term
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Definition
LORENZO GHIBERTI
Isaac and His Sons
1425-1452 Italy Renaissance |
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Term
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Definition
MASACCIO
Expusion of Adam and Eve from Eden
1424-27 Italy Renaissance |
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Term
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Definition
MASACCIO
Holy Trinity
1424-27 Italy Renaissance |
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Term
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Definition
Filippo BRUNELLESCHI
Duomo
1420-36 Italy Renaissance |
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Term
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Definition
Filippo BRUNELLESCHI
Santo Spirito (interior)
1436 Itally Renaissance |
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Term
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Definition
Fillipo BRUNELLESCHI
Santo Spirito (plan)
1436 Italy Renaissance |
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Term
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Definition
Fillipo BRUNELLESCHI
Pazzi Chapel (facade)
1442 Italy Renaissance |
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Term
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Definition
Filippo BRUNELLESCHI
Pazzi Chapel (plan)
1442 Italy Renaissance |
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Term
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Definition
Filippo BRUNELLESCHI
Pazzi Chapel (interior)
1442 Italy Renaissance |
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Term
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Definition
FRA ANGELICO
Annunciation
1440-50 Italy Renaissance |
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Term
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Definition
Andrea del CASTAGNO
The Last Supper
1445-50 Italy Renaissance |
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Term
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Definition
Paolo UCCELLO
The Battle of San Romano
1455 Italy Renaissance |
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Term
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Definition
FRA FILIPPO LIPPI
Madonna and Child with Angels
1455 Italy Renaissance |
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Term
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Definition
Sandro BOTTICELLI
Primavera
1482 Italy Renaissance |
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Term
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Definition
Sandro BOTTICELLI
The Birth of Venus
1482 Italy Renaissance |
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Term
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Definition
Antonio POLLAIUOLO
Battle of the Ten Nudes Engraving
1475 Italy Renaissance |
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Term
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Definition
Antonio POLLAIUOLO
Hercules and Antaeus
1475 Italy Renaissance |
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Term
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Definition
Andrea del VERROCCHIO
David
1465-70 Italy Renaissance |
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Term
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Definition
Andrea del VERROCCHIO
Equestrian Monument to Bartolommeo Colleoni
1483-88 Italy Renaissance |
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Term
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Definition
Leon Battista ALBERTI
Palazzo Rucellai
1452-70 Italy Renaissance |
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Term
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Definition
Leon Battista ALBERTI
Sant' Andrea (facade)
1470 Italy Renaissance |
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Term
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Definition
Leon Battista ALBERTI
Sant' Andrea (plan)
1470 Italy Renaissance |
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Term
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Definition
Leon Battista ALBERTI
Sant' Andrea (interior)
1470 Italy Renaissance |
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Term
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Definition
PIERO DELLA FRANCESCA
Resurrection
1463 Italy Renaissance |
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Term
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Definition
PIERO DELLA FRANCESCA
Flagellation of Christ
1455-65 Italy Renaissance |
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Term
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Definition
PIERO DELLA FRANCESCA
Enthroned Madonna and Saints Adored by Frederico da Montelfelfeltro (Brera Altarpiece)
1472-74 Italy Renaissance |
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Term
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Definition
Andrea MANTEGNA
Camera Picta (frescoes)
1474 Italy Renaissance |
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Term
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Definition
Andrea MANTEGNA
Camera Picta (ceiling)
1474 Italy Renaissance |
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Term
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Definition
Andrea MANTEGNA
The Dead Christ
1500 Italy Renaissance |
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Term
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Definition
Luca SIGNORELLI
The Damned Cast into Hell
1499-1504 Italy Renaissance |
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Term
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Definition
PERUGINO
Christ Delivering the Keys of the Kingdom to St. Peter
1481-83 Italy Renaissance |
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Term
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Definition
BRAMANTE
Tempietto
1502 Italy High Renaissance |
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Term
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Definition
BRAMANTE
Plan for new St. Peter's
1505 Italy High Renaissance |
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Term
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Definition
LEONARDO da VINCI
The Virgin of the Rocks
1485 Italy High Renaissance |
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Term
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Definition
LEONARDO da VINCI
Cartoon for Virgin and Child with Saint Anne and the Infant Saint John
1505-07 Italy High Renaissance |
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Term
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Definition
LEONARDO da VINCI
Vitruvian Man
1485-90 Italy High Renaissance |
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Term
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Definition
LEONARDO da VINCI
Mona Lisa
1503-05 Italy High Renaissance |
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Term
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Definition
MICHELANGELO Buonarotti
Pietà
1498 Italy High Renaissance |
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Term
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Definition
MICHELANGELO Buonarotti
David
1501-04 Italy High Renaissance |
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Term
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Definition
MICHELANGELO Buonarotti
Bound Slave
1513-16 Italy High Renaissance |
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Term
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Definition
MICHELANGELO Buonarotti
Moses
1513-15 Italy High Renaissance |
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Term
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Definition
MICHELANGELO Buonarotti
Ceiling of the Sistine Chapel
1508-12 Italy High Renaissance |
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Term
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Definition
MICHELANGELO Buonarotti
Creation of Adam
1508-12 Italy High Renaissance |
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Term
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Definition
RAPHAEL Sanzio
Madonna of the Meadow
1505-06 Italy High Renaissance |
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Term
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Definition
RAPHAEL Sanzio
School of Athens (Philosophy)
1509-11 Italy High Renaissance |
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Term
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Definition
RAPHAEL Sanzio
Galatea
1513 Italy High Renaissance |
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Term
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Definition
Giovanni BELLINI
San Zaccaria Altarpiece
1505 Italy Venitian Renaissance |
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Term
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Definition
Giovanni BELLINI (and TITIAN?)
The Feast of the Gods
1514/1529 Italy Venitian Renaissance |
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Term
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Definition
GIORGIONE
The Tempest
1510 Italy Venetian Renaissance |
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Term
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Definition
TITIAN (and/or GIORGIONE)
Pastoral Symphony
1508-11 Italy Venetian Renaissance |
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Term
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Definition
TITIAN
Assumption of the Virgin
1515-18 Italy Venetian Renaissance |
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Term
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Definition
TITIAN
Madonna of the Pesaro Family
1519-26 Italy Venetian Renaissance |
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Term
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Definition
TITIAN
Meeting of Bacchus and Ariadne
1522-23 Italy Venetian Renaissance |
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Term
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Definition
TITIAN
Venus of Urbino
1536-38 Italy Venetian Renaissance |
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Term
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Definition
HIERONYMOUS BOSCH
The Garden of Earthly Delights (triptych) Creation of Eve
1505-10 Flanders Northern Renaissance |
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Term
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Definition
HIERONYMOUS BOSCH
The Garden of Earthly Delights (triptych) Garden of Earthly Delights
1505-10 Flanders Northern Renaissance |
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Term
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Definition
HIERONYMOUS BOSCH
The Garden of Earthly Delights (triptych) Hell
1505-10 Flanders Northern Renaissance |
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Term
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Definition
Matthias GRÜNEWALD
Isenheim Altarpiece (closed)
1510-15 German Northern Renaissance |
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Term
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Definition
Matthias GRÜNEWALD
Isenheim Altarpiece (open)
1510-15 German Northern Renaissance |
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Term
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Definition
Albrecht DÜRER
The Four Horsemen of the Apocalypse
1498 German Northern Renaissance |
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Term
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Definition
Albrecht DÜRER
The Fall of Man (Adam and Eve)
1504 German Northern Renaissance |
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Term
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Definition
Albrecht DÜRER
The Great Piece of Turf
1503 German Northern Renaissance |
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Term
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Definition
Albrecht DÜRER
Knight, Death, and the Devil
1513 German Northern Renaissance |
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Term
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Definition
Albrecht DÜRER
Melencolia I
1514 German Northern Renaissance |
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Term
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Definition
Albrecht DÜRER
Four Apostles
1526 German Northern Renaissance |
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Term
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Definition
Hans HOLBEIN the Younger
The French Ambassadors
1533 German Northern Renaissance |
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Term
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Definition
Pieter BRUEGEL the Elder
Hunters in the Snow
1533 Netherlands Northern Renaissance |
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Term
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Definition
Pieter BRUEGEL the Elder
Netherlandish Proverbs
1559 Netherlands Northern Renaissance |
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Term
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Definition
MICHELANGELO
Last Judgement
1534 or 1536-41 Italy High Renaissance/Mannerism |
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Term
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Definition
Jacopo da PONTORMO
Descent from the Cross
1525-28 Italy Mannerism |
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Term
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Definition
PARMIGIANINO
Madonna with the Long Neck
1535 Italy Mannerism |
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Term
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Definition
BRONZINO
Venus, Cupid, Folly, and Time (The Exposure of Luxury)
1546 Italy Mannerism |
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Term
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Definition
Gianlorenzo BERNINI
David
1623 Italy Baroque |
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Term
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Definition
Gianlorenzo BERNINI
Piazza of St. Peter's
1656-67 Italy Baroque |
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Term
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Definition
Gianlorenzo BERNINI
Baldacchino
1624-33 Italy Baroque |
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Term
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Definition
Gianlorenzo BERNINI
St. Theresa in Ecstasy
1645-52 Italy Baroque |
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Term
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Definition
CARAVAGGIO
Calling of St. Matthew
1597-1601 Italy Baroque |
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Term
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Definition
CARAVAGGIO
Conversion of St. Paul
1601 Italy Baroque |
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Term
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Definition
Artemesia GENTILESCHI
Judith Slaying Holofernes
1614-20 Italy Baroque |
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Term
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Definition
Giovanni Battista GAULLI
Triumph in the name of Jesus
1676-79 Italy Baroque |
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Term
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Definition
Fra Andrea POZZO
The Glorification of St. Ignatius
1691-94 Italy Baroque |
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Term
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Definition
EL GRECO
The Burial of Count Orgaz
1586 Spain Mannerism/Proto-Baroque |
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Term
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Definition
Diego VELÁZQUEZ
Surrender of Breda
1634-35 Spain Baroque |
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Term
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Definition
Diego VELÁZQUEZ
Las Meninas
1656 Spain Baroque |
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Term
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Definition
Peter Paul RUBENS
The Elevation of the Cross
1610 Flanders Baroque |
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Term
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Definition
Peter Paul RUBENS
Arrival of Marie de'Medici at Marsailles
1622-25 Flanders Baroque |
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Term
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Definition
Peter Paul RUBENS
Allegory of the Outbreak of War or Consequences of War
1638 Flanders Baroque |
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Term
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Definition
REMBRANDT van Rijn
Anatomy Lesson of Dr. Tulp
1632 Dutch/Holland Baroque |
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Term
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Definition
REMBRANDT van Rijn
Company of Captain Frans Banning Cocq (Night Watch)
1642 Dutch/Holland Baroque |
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Term
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Definition
REMBRANDT van Rijn
Self-Portrait
1659-60 Dutch/Holland Baroque |
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Term
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Definition
REMBRANDT van Rijn
Return of the Prodigal Son
1665 Dutch/Holland Baroque |
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Term
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Definition
REMBRANDT van Rijn
Christ with the Sick Around Him, Receiving the Children or Hundred Guilder Print
1649 Dutch/Holland Baroque |
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Term
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Definition
Jaques CALLOT
Hanging Tree from the Large Miseries of War
1633 French Baroque |
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Term
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Definition
Nicolas POUSSIN
Et in Arcadia Ego
1655 French Baroque
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Term
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Definition
Hyacinthe RIGAUD
Louis XIV
1701 French Baroque |
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Term
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Definition
Charles LE BRUN et al
Palace at Versailles
begun 1669 French Baroque |
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Term
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Definition
Jules HARDOUIN MANSART and Charles LE BRUN
Galerie des Glaces (Hall of Mirrors)
1680 French Baroque |
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Term
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Definition
Antoine WATTEAU
Return from Cythera
1717-19 French Rococo |
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Term
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Definition
Jean-Honoré FRAGONARD
The Swing
1766 French Rococo |
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Term
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Definition
Jaques-Louis DAVID
Oath of the Horatii
1784 French Neoclassical |
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Term
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Definition
Jaques-Louis DAVID
The Death of Marat
1793 French Neoclassical |
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Term
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Definition
Jean-Auguste-Dominique INGRES
Apotheosis of Homer
1827 French Neoclassical |
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Term
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Definition
Jean-Auguste-Dominique INGRES
Grande Odalisque
1814 French Neoclassical/Orientalism |
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Term
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Definition
Théodore GÉRICAULT
Raft of the Medusa
1818-19 French Romanticism |
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Term
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Definition
Eugène DELACROIX
Death of Sardanapalus
1826-27 French Romanticism |
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Term
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Definition
Eugène DELACROIX
Liberty Leading the People
1830 French Romanticism |
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Term
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Definition
J. M. W. TURNER
The Slave Ship
1840 England Romanticism |
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Term
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Definition
Gustave COURBET
The Stone Breakers
1849 France Realism |
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Term
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Definition
Gustave COURBET
Burial at Ornans
1849 France Realism |
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