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1819- 1877 french painter let the Realist movement |
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1836-1910 American Landscape painter |
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1844-1916 American Realist painter, photographer, and sculptor |
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1859-1937 African-American Realist painter studied under Eakins |
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1828-1882 English Pre-Raphalite painter |
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1825-1905 French academic painter modern interpretations of classical subjects with an emphasis on the female body. |
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1822-1899 French realist artist one of the few female sculptors |
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1832-1883 French painter Realist and Impressionist |
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1840-1926 French impressionist Painter used Plein-air technique |
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1841-1919 French artist led the impressionist movement |
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1844-1926 female American painter and printmaker lived most of her adult life in France. |
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1834-1903 American-born British-based artist. |
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1859-1891 French painter and draftsman Neo-Impressionism and Modern art |
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1839-1906 French artist and post-Impressionist painter |
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1853-1890 Dutch Post-Impressionist artist |
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1848-1903 French Post-Impressionist painter |
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1863-1944 Norwegian Symbolist painter, printmaker, and expressionistic artist |
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1872-1898 English illustrator and author |
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a hall or place used for the exhibition on works of art. |
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an approach to painting much favored by the impressionists to sketch outside to achieve a quick impression of light, air, and color. |
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objects whose style reflects influence form Japan. |
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"Haussmannization of Paris" |
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strict adherence to, or observance of, prescribed or traditional forms as in music, poetry, and art. |
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refer to people or works that are experimental or innovative, particularily with respect to art, culture, or politics. |
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the rejection of bourgeois lifestyles. |
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slogan from early 19th century. expresses a philosophy that the intrinsic value of art and only "true" art is divorced from utilitarian function. |
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artistic style from the 1880s when american artists painted landscape forms with an overall tone of colored atmosphere or mist. |
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style of painting in which small distinct points of primary colors create the impression of a wide selection of secondary and intermediate colors. |
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apparent rather than actual color mixture, produced by interspersing brush strokes or dots of color intead of physically mixing them. |
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cultural movement between 1880 and WW1. a period of hope for a new beginning. |
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also known as art nouveau. a reaction to academic art. |
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