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Paolo Uccello 1455 tempera on wood |
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Donatello late 1420s-late 1450's bronze |
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Sandro Botticelli 1482 tempera on canvas |
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Fra Angelico 1440-1445 fresco |
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Madonna and Child with Angels |
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Fra Fillipo Lippi 1455 tempera on wood |
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Christ Delivering the Keys of the Kingdom to Saint Peter |
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Leonardo da Vinci 1503-1505 oil on wood |
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David (Michalangeo Buonarroti) |
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ceiling of the Sistine Chapel |
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Michalangelo 1508-1512 fresco |
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Raphael 1505-1506 oil on panel |
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Giogione da Castelfranco 1508 oil on canvas |
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Madonna with the Long Neck |
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Parmigianino 1535 oil on wood |
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Venus, Cupid, Folly, and Time (The Exposure of Luxury) |
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Saint Peter's (view from the Northwest) |
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Michelangelo Buonarroti 1546-1564 dome completed by Giacomo della Porta 1590 |
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Isenheim Altarpiece (Closed) Cruxifiction (center panel) |
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from the chapel of the Hospital of Saint Anthony 1510-1515 oil on panel |
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Albrecht Durer 1526 oil on panel |
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The Fall of Men (Adam and Eve) |
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Albrecht Durer 1504 engraving |
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Hans Holbein the Younger 1533 oil and tempera on panel |
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The Money Charger and His Wife |
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Quinten Massys 1514 oil on panel |
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Pieter Aertsen 1551 oil on panel |
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Pieter Bruegel the Elder 1565 oil on panel |
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Pieter Brugel the Elder 1559 oil on panel |
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The Burial of Count Orgaz |
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El Greco 1586 oil on canvas |
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Gianlorenzo Bernini 1623 marble |
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Gianlorenzo Bernini 1645-1652 marble |
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Carravagio 1601 Oil on canvas |
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Carravagio 1603 oil on canvas |
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Judith Slaying Holofernes |
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Artemisia Gentileschi 1614-1620 oil on canvas |
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Las Meninas (The Maids of Honor) |
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Diego Velázquez 1656 oil on canvas |
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Peter Paul Rubens 1610 oil on panel |
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The Women Regents of the Old Men's Home at Haarlem |
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Frans Hals 1664 oil on canvas |
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Anatomy Lesson of Dr. Tulp |
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Rembrandt van Rijin 1632 oil on canvas |
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The Company of Captain Frans Banning Cocq |
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Rembrandt van Rijn 1642 oil on canvas |
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Jan Vermeer 1666 oil on canvas |
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Allegory of the Art of Painting |
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Jan Vermeer 1670-1675 oil on canvas |
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Nicholas Poussin 1655 oil on canvas |
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Jules Hardouin-Mansart and Charles Le Brun 1680 |
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New Saint Paul's Cathedral |
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Sir Christopher Wren 1675-1710 |
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the disposition of the human figure in which one part is turned in opposition to another part creating a conterpositioning of the body about its central axis. |
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a gallery with an open arcade or a colonnade on one or both sides |
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a smokelike haziness that subtly softens outlines in painting; particurally applied to the painting of Leonardo and Correggio |
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Italian "drawing" and "design". Renaissance artists considered drawing to bet the external physical manifestation of an internal intellectual idea of design. |
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an attempt by Martin Luther to reform the Roman Catholic Church |
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The destruction of images. |
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A distorted image that must be viewed by some special means (such as a mirror) or at an angle to be recognized |
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Style emphasizing "atrifice", often involving contrived imagery not derived directly from nature. Complexity, caprice, fantasy, polish. |
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Painting in the "dark manner", using violent contrasts of light and dark, as in the work of Caravaggio |
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a blanket designation for the art of the period 1600-1750 |
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Latin "dark room". An ancestor of the modern camera in which a tiny pinhole, acting as a lens, projects an image on a screen, the wall of a room, or the ground glass wall of a box. Used as an aid to draw nature. |
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