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Francisco Goya, Witches’ Sabbath, 1797-98 |
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Goya, Count Floridablanca, 1783 |
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Goya, The Family of Carlos IV, 1801 |
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Goya, Los Caprichos, plate 68: “A Fine Teacher!”, 1799 |
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Goya, Los Caprichos, plate 43: “The sleep of reason produces monsters,” 1799 |
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Goya, Nude Maja, ca. 1795-97 |
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Goya, Clothed Maja, ca. 1803-05 |
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Goya, The Executions of the Third of May, 1808, 1814 |
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Goya, The Uprising of the Second of May, 1808, 1814 |
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Goya, Disasters of War, plate 39: “Heroic Feat! Against corpses!,” ca. 1810-20 |
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Henry Fuseli, The Nightmare, 1781 |
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William Blake, The Great Red Dragon and the Woman Clothed with the Sun, 1805-1810 |
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Blake, Laocoön, ca. 1815-1827 |
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Blake, Albion Rose, or Glad Day, 1794-96 |
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Blake, The Spiritual Form of Pitt Guiding Behemoth, ca. 1805 |
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Blake, “The Argument,” in The Marriage of Heaven and Hell, ca. 1790-93 |
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Blake, Plate 8, America: A Prophecy, 1793 |
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Blake, Elohim Creating Adam, 1795 |
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Théodore Géricault, The Charging Hussar, 1812 |
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Géricault, The Wounded Cuirassier, 1814 |
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Géricault, Raft of the Medusa, 1819 |
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Géricault, Severed Limbs, ca. 1820 |
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Géricault, Woman Suffering from Obsessive Envy, ca. 1822 |
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Géricault, Kleptomaniac, ca. 1822 |
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Géricault, Self-Portrait, 1822-23 |
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Eugène Delacroix, The Barque of Dante, 1822 |
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Delacroix, Scenes from the Massacres at Chios, 1824 |
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Delacroix, Greece Expiring on the Shore of Missolonghi, 1826 |
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Delacroix, July 28: Liberty Leading the People, 1831 |
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Delacroix, Frédéric Chopin, 1838 |
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Delacroix, Death of Sardanapalus, 1827 |
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Delacroix, Women of Algiers, 1834 |
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Caspar David Friedrich, Mist, 1807 |
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Philipp Otto Runge, Morning, 1808 |
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Friedrich, The Cross in the Mountains (Tetschen Altar), 1807-08 |
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Friedrich, Abbey in an Oak Forest, 1809-10 |
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Friedrich, Monk by the Sea, 1809-10 |
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Friedrich, Wanderer Above a Sea of Fog, ca. 1818 |
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Friedrich, Woman before the Setting Sun, ca. 1818 |
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Joseph Mallord William Turner, Dunstanborough Castle, NE Coast of Northumberland. Sunrise
after a Squally Night, 1798 |
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Turner, Burning of the Houses of Parliament, 1835 |
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Turner, Slavers Throwing Overboard the Dead and Dying – Typhoon Coming On (The Slave
Ship), 1840 |
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Turner, Rain, Steam and Speed: The Great Western Railway, 1844 |
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Charles Joseph Traviès, “You have to admit the head of government looks pretty funny,” 1831 |
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Jean Ignace Isidore Gérard (J.J. Grandville), “Birth of the Juste Milieu,” La Caricature, 2 February
1832 |
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Daumier, “Rue Transnonian, April 15, 1834,” L’Association Mensuelle, July 1834 |
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Daumier, The Republic, 1848 |
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Gustave Courbet, Self-Portrait as the Desperate Man, 1843 |
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Courbet, After Dinner at Ornans, 1849 |
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Courbet, The Stonebreakers, 1849-50 |
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Courbet, A Burial at Ornans, 1849-50 |
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Courbet, The Peasants of Flagey Returning from the Fair, 1849 |
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Courbet, The Meeting, 1854 |
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Courbet, Studio of the Painter: A Real Allegory Summing Up Seven Years of My Artistic Life,
1855 |
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John Constable, The Stour Valley and Dedham Village, 1814-15 |
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Constable, The Hay Wain, 1821 |
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Jean-François Millet, The Gleaners, 1857 |
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Théodore Rousseau, Heath, 1842-43 |
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Camille Corot, Hagar in the Wilderness, 1835 |
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Corot, The Forest of Fontainebleau, 1846 |
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Rousseau, Under the Birches, 1842-43 |
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Claude Monet, The Road from Chailly to Fontainebleau, 1864 |
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Henri Fantin-Latour, A Studio in the Batignolles, 1870 |
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Édouard Manet, Absinthe Drinker, 1858-59 |
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Manet, The Old Musician, 1862 |
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Manet, Dejeuner sur l’Herbe (Luncheon in the Grass), 1863 |
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Monet, Le Déjeuner sur l’herbe, 1865-66 |
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Monet, Women in the Garden, 1866 |
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Manet, Young Woman of 1866, 1866 |
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Monet, The Luncheon, 1868 |
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