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extreme emotion extreme states of hysteria and insanity influenced by psychoanalytic theory dreams, unconscious drives |
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Song Cycle from poems by Albert Giraud, a symbolist |
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Performance Forces for "Pierrot Lunaire" |
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Soprano and five instrumentalists that double on some instruments. -flute, piccolo -clarinet, bass clarinet -violin -viola -cello -piano >Each song has its own accompaniment |
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"speech song" pitches are approximate but rhythms are precise from Expressionism |
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For Voice, piano, bass clarinet, cello (in lower range) Passacaglia ostinato on motive of ascending minor thirds and descending major thirds -chromatic -overlaps -in different voices |
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Schoenberg no. 18 "Moonfleck" |
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-for Voice, piano, piccolo, clarinet, violin, cello -begins with traditional material -obsession -high fast motives -use of fugues and cannons |
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Who was a part of the Second Viennese School |
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Schoenberg and two Pupils, Anton Webern, and Alban Berg |
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What was the purpose of the Second Viennese School? |
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link experiments in atonality and serialism to German music History at large |
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Student of Schoenberg composer of Wozzeck more accessible used styles and textures associated with tonal music |
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What was Wozzeck based off of? |
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sketches from an unfinished play (based on a true story) written by Georg Buchner exploration of the poor paranoia |
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Characteristics of Wozzeck |
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Atonal orchestral interludes between scenes Wagnerian influences (leitmotives, no arias, importance of orchestra) |
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Wozzeck- a Soldier Marie-His girlfriend The Doctor The captain The Drum Major |
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Act III scene three Wozzeck |
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Begins with orchestral interlude that concludes scene 2 (marie's murder) consists of one pitch in two crescendos |
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Act III scene three, Plot and other characteristics. |
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Tavern scene "Ragtime piano"- out of tune Built on a short rhythm that reoccurs with slight modifications outside of the dramatic tempo changes -ostinato followed by an orchestral interlude |
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Music sets scene-Frogs use of Sprechstimme Wozzeck's death most emotional music in the opera |
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systemization of chromaticism |
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