4 Crowned Saints

Nanni di Banco

1409-1416 

Space created through shape

Balance between realism and idealism

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St. Mark 1411-13

Donatello 

Use of contropposto- first time since classical history that a figure was posed in chiaroscuro

Body that is stable but holds the potential to move

  IR

Feast of Herod 1425 

Donatello 

Italian Renaissance

One point perspective

Variation of height in relief

no subject in the middle 

various planes 

Merode Altarpiece 

1426-1450

Robert Campin

Ghent Altarpiece 1426-1450

Northern Renaissance 

Jan van Eyck

accurate details

oil techniques

saturated color

adoration of the lamb 

Portrait of a man in red turban 

1433

-Jan Van Eyck 

NR

Arnolfini Portrai 1426-1450

Jan van Eyck

NR

No direct light source

Rich color 

Growing importance of the individual

Disguised symbolism 

Diagonal lines 

Descent from the Cross (Deposition) 1426-1450

Rogier van der Weyden

Repition of line ties the piece together

Relative extremity of gothic emotion 

 NR

Portinari Altarpiece 

1451-1475

Hugo van der Weyden 

The Garden of Earthly Delights

Hieronymus Bosh

1480-1515

Temptation of St Anthony

1476-1499

Martin Schongauer 

David 1420s-60s

Donatello

Reinvents one point perspective

male figure and contraposto

First full size naked male figure since classical iniquity- free standing since the ancient intiquity 

David with the head of Goliath 

Gattamelata

Donatello 

1426-1450

The first lifetime equstrian life size sculpture since ancient antiquity

Mary Magadalen

1426-1450 

Donatello

Physical deterioration of the body

Revival of conservative religious fervor 

Denial of the physical world 

Italian Renaissance 

Masaccio Trinity- 1400-1425

Fresco

One point perspective

Transition from life to death 

Degrees of sacredness 

Simplified composition

Simplified color 

Women looks out at us and directs us where to look

Tribute Money

Masaccio

1400-1425

Brancacci chapel 1425

One point perspective

atmospheric space in the landscape

Semi circular figures to create own space- 

Figures creating their own space-standing in a semi circle 

Cast shadows 

Atmospheric perspective 

1 direct light source 

Continuous narraration

Charoscuro-light source on his leg

Contrapposto 

Use of one direct life source 

Expolsion from Paradise

Masaccio

Brancacci Chapel 1400-1425

 Strong emotion

Tomb of Leonardo Bruni

1426-1450

Rossellino

Annunciation

Fra Angelicco

1400-1425

Last Supper

1426-1450

Castagno

Madonna and Child with Saints

Veneziano

1426-1450

Elaboration- more complicated architecture for the italian renaisance 

High key tonality-incorporates white into the colors

Italian Renaisance 

Santa Maria Novella

Alberti

1450-1475

S. Andrea, Mantua

1451-1470

Hercules and Antaeus

1475

Pollaiuolo

Battle of the Nudes

Pollaiuolo

1451-1475

Madonna and Child with the Birth of the Virgin

1451-1475

Fra Filippo Lippi

 Use of one point (linear) perspectives, one direct light source, linear style

Italian Renassiance

Early Italian Renaissance 

Uccello

Battle of San Romano

1426-1475

 One point in the front-broken in the back

Simplified shapes of horses

Universal shapes balanced with deorations

Botticelli, Primavera

1476-1499

Birth of Venus

1476-1499

Botticelli

Mythological creature- goddess of love

physical love related to devine love

not contraposta

gracefulness 

linear style-seperating color style

closer you get the more you will find

tended towards blocks of color- clear dividing lines strong lines to sepeate them

Neo-platonism- precurser of the virgin mary (immaculate conception) 

Old Man and Young Boy

Ghirlandaio

1476-1499

Piero della Francesca, Resurrection

1451-1475

Basic shapes

overlapping planes

bicentral syemmetry

Double Portrait of Battista Sforza and Federico da Monterfeltro

1451-1475

Relationship between figures and landscape

Individualized style

Mantegna

St. Sebastian

1451-1475

Verrocchio, Colleoni

1476-1499

Bellini

St. Francis in Ecstasy

1476-1499

Bellini

Madonna and the Saints

1500-1525

Ginevra de' Benci

1476-1499

Lenardo da Vinci

Virgin of the Rocks

1476-1499

Leonardo Da Vinci

reducing color to the basics 

organic composition

repetition of shape

eye contact/gesture

Last Supper

1475-1499

Leonardo Da Vinci

Interest in variation and psychological reaction

Each apostile responsing in a different way 

Mona Lisa

Leonardo da Vinci

1500-1525

Bramante

Tempietto

1500-1525

Michelangelo

Pieta

1476-1499

David

Michaelangelo

1500-1525

Moses

Michelangelo

1500-1525

Sistine ceiling

Creation of Adam

1500-1525

Sistine Chapel 

Sistine ceiling

Libyan Sibyl

1500-1525

Michaelangelo

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Fall of Man and Expulsion 1500-1525

Michaelangelo

Sistine Chapel ceiling