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• Invent PHOTOGRAPHY • Work together to better the Photograph |
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• Invents PHOTOGRAPHY • Generates first reprintable image, NEGATIVE • Discovers CALOTYPE |
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• Helps define Middle/ Working class by accessibility |
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3 Basic Elements of Photography |
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• LIGHT SENSITIVE MATERIAL • LIGHTSOURCE • SODIUM to stop process |
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• Used centuries prior to photography as a DRAWING TOOL • Church cathedrals mapped “the Heavens” through hole in top of dome |
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• Used a small hole in a wall to catch and redirect images instead of a lens |
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• Image created without a negative • Not reproducable |
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• Lincoln credits for making him President • POLITICAL PROPAGANDA |
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• Provided ILLUSION OF DEPTH • Uses two images shot from a single camera with two lenses • BINOCULAR VISION |
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• Similar to BAYARD, arranged dead bodies • GRAVE OF REBEL SHARPSHOOTER • SENSATIONALISM, filters and modifies • Images of Lincoln’s assassins being hung |
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• The phenomenon where over saturation of images results in desensitized viewers being unable to respond to horrific images singularly • Brought on by the advent of photography • Reduces impact of each image |
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• Invented by Talbot • Make up first DATABASES |
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• Term used to describe the first method of knowing someone better through images that they made of themselves and their surroundings • 1860’s- 1880’s • CULTURAL EXCHANGE OF PHOTOGRAPHIC IMAGERY |
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• Allowed photographic images to be printed with text at the same speed • Cheaper, refines LITHOGRAPHIC PROCESS |
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• First slide projector, lantern projects image on wall • Slides are the “SOCIAL EQUALIZER” bringing art into homes Art reproduction |
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• MECHANICAL • ART • TRUTH o Cultural betterment- educate and enoble |
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• Imitates soft-focus work of JULIA MARGARET CAMERON |
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• PRINTING PROCESS came about in 1890’s • Made it cheaper and easier for photographic information to be disseminated • Allowed photos to be reproduced without the use of engraving |
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• Idea the photography brought about a new culture based on material possessions through its ability to disseminate images and ideas • Photographs used to define social identity |
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• Opened camera to uneducated cultures • Gave the photographer more freedom in the range and type of images recorded • Use of AMERICAN ROLL FILM |
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• Art should imitate the functions of the eye • Utilized SELECTIVE FOCUS • Naturalist |
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• Camera should function as viewer’s eye • Emerson • Focused on individual vision, SCIENCE- BASED • Focus on main subject, allow periphery to become indistinct |
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• Shared reality • Felt the SNAPSHOT was impairing the aesthetic sensibility of the public • Did NOT support women’s right to vote or the promotion of industry, mass-produced goods • Favored textured papers and hand colored prints- SHOWED ARTSIST’S HAND • SHADOW & FOG • PLATINUM PRINTING – yields soft, middle- gray tones |
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• Camera should act as a machine, recording straight images |
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• Images conveying emotion • Galloping horse bet • Anatomy drawing references STOP MOTION |
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• Inspires “THE INVISIBLE MAN” |
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• SOCIAL REALIST • STRAIGHT PHOTOGRAPHY |
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• Curates FAMILY OF MAN • CULTURAL EDITOR |
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• Became prominent in early 1900’s • General public sees images as dispensible |
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• EL LISSETSZKY • Call to action • Used technology and photography to create art, mold society • PHOTOMONTAGE |
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• Extensive study of the possibilities and limitations of a single medium • RODCHENKO & MUHOLY- NAGY |
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• “DECISIVE MOMENT o Singular illusive time o Spontaneous, instantaneous- Exists only now |
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• German school that focused on the integration of Art and Industry • Inspires Arts and Crafts movement • Effectively communicate color theory • DESIGN & CLARITY |
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• Collective defined by the camera’s limitations and possibilities • Sharp focus • Detail in all areas of image • No visible artist’s hand |
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• “TO ASSEMBLE” • Supports ideals of “Production Artists” • More refined than collage- wanted to be a collective of workers • Associated with DADAISM |
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• Appealed to lower class- Illiterates • Made society feel they had the right to see “behind the scenes” |
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• Directed towards middle class |
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• Currated by Edward Steichen • Attempted to unite the world through singular vision • CULTURAL EDITOR • Becomes most popular photo book of all time • Images selected primarily from NEWS PHOTOGRAPGHS • Atomic bomb image was only one in color, on TRANSPARENCY |
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• Understanding that all cultures could not be held to the same standards of one nation • Human values are not universally the same |
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• Term coined out of FAMILY OF MAN exhibit • Problem of arranging images against the artist’s intent, but for cohesion of the show’s message • Cropping of titles, images |
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• Internal world/ Dream-like state • Aggression towards women: Caging, dismemebered, turned into dolls |
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