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Automated Dialogue Replacement is recorded after the fact to replace or enhance production sound. |
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Didactic. match events on film exactly to reinforce actions or heighten emotion in a scene |
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nondidactic. do not match the movements exactly and provide emotional nuance to a scene |
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From One Character's Viewpoint |
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when 2 or more characters experience something together. In Multiples, the score has variations to distinguish between the main character themes |
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usually used in the beginning of films when we haven't been introduced to characters yet. |
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Mix Engineer, Assistant Engineer, Composer, Foley Walker, Foley Engineer, Score Mixer, Sound Designer. Spot, ADR, Effects, Foley, and assembling audio. |
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Process of watching a visual work and noting the time when audio events occur to later replace and reinforce them with sound effects or music. Noting when a sound begins and ends. cue number, in and out times and notes. Cues: each individual scene. |
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Sound Designers, Location Recordists, Composers. Preparation can only help us establish what we'll need in terms f equipment and personnel as well as figure out a time-frame to get up to speed for production. |
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What happens with the score during post? |
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During Post, the Composer and Score mixer capture the final score for the project and mix it into stems for the final mix down. The Foley Walkers and FOley Engineer record and mix the sound effects that need to be made to picture. The sound designer will build and place all of the sounds to picture as well as mixing the relative levels into en effects stem |
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Sound is an example of a Single-System Camera. This means that the camera captures both the video and audio info at the same time. |
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1927 the first synchronized talking film feature was |
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1977 Star Wars' sound designer |
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Apocalypse now was the first film to include the _____________ for an engineer in that role for Walter Murch. |
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music placed in a film that wasn't specifically recorded for the film. |
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Dialogue can really be split into two main areas; |
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Production sound and ADR. |
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recording of both Dialogue on the set and Ambiance or room tone to create a baseline of sound for that particular location |
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_______ _______rugged and portable. no moving parts (SSD). |
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HyperCardiod or Lobar patterns allow for very accurate capture with excellent rejection of sound sources not intended for recording. |
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a pull-up or pull-down is |
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the raising or lowering of the speed of a device above or below the “standard” speed. |
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a cross-platform software tech developed by Apple for playback and multimedia. Also the only media player format supported by proTools, Quicktime supports MPEG< AVI< Cinepak, FLASH and DV |
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stands for Motion Picture Experts Group. MPEG is used to denote a whole family of audio and video compression algorithms developed by MPEG |
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Formats MPEG-1, MPEG, AVI, DV |
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MPEG-1 (MP3 audio format) MPEG (dvd and MDTV) MPEG-4 (next gen codecs) AVI- Stands for Audio Video Interleave. This is the standard format for videos on Windows. DV- digital video an international standard for consumers, semipro and pro digital equipment can be connected with firewire. |
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Frame Rate: 24fps (film 25fps (PAL) 29.97 fps (NTSC Color Video) 30fps (audio only or old b&w tv) 23.976fps (HD Video that converts to NTSC video) |
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Sample rates 44.1Hz standard sample rates for CD 48 kHz film and video standard including Beta 88.2 khz hi-rez music sample rate 96khz newer hi-rez sample rate for better frequency response. Easy to convert for video. |
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the individual sound parts, including music before being assembled into a mix |
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a piece of music or effect designed to connect two different scenes. Sometimes this makes the idea of time passing easier for the audience to follow |
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an auditory cue where a single note is played in sync with a dramatic event |
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The staggering of regions across two sequential tracks so that no audio regions overlap on one track |
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PTs hot keys to bring in movies |
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In PTs Cmd-Numeric 9 brings up movie, the "O" in the video puts the video online. |
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