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Rajarajeshvara temple Tanjavur 1010 Shiva temple Tallest Shikhara amongst the temples of its time. Also known for most scared performing of Koodiyattam, a form of Sanskrit theater
Portrait of king Rajaraja with his spiritual guru mural This is the earliest royal portrait in Indian painting. ca. 1010 |
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Shiva Nataraja ca. 970 bronze Tamil Nadu, Chola Dynasty, India
Is a depiction of the god Shiva as the cosmic dancer who performs his divine dance to destroy a weary universe and make preparations for the god Brahma to start the process of creation.' He destroys in order to create. |
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Quwwat al-Islam Mosque Delhi 1192 AD Built to celebrate the victory of Mohammed Ghori Qutb-ud-din Aibak, founder of the Mamluk dynasty. It was the first mosque built in Delhi after the Islamic conquest of India.
Qutb Minar Quwwat al-Islam Mosque 13th c. Minar is the tallest brick minaret in the world, inspired by the Minaret of Jam in Afghanistan, it is an important example of early Afghan architecture, which later evolved into Indo-Islamic Architecture. Inscriptions in the Kufic style of calligraphy, form regular bands throughout the Qutb Minar Decorative motifs on upper levels of Qutb Minar, showing both Hindu and Islamic elements. Its construction also marked the end last of Hindu kingdoms in North India, and the beginning of Muslim rule in India |
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Shahnama ca. 1450 "The Book of Kings" A long epic poem written by the Persian poet Ferdowsi The mythical and to some extent the historical past of the Persian empire from the creation of the world until the Islamic conquest of Persia in the 7th century |
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Madrasa Bidar 1472 Persian prime minister Mahmud Gawan Bahmanid dynasty unique in its obvious Persian architectural style The building reflects the influence that the Persian Afaqi. |
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Adil Shah Hawking ca. 1600 Sultanate of Bijapur Adil Shahi dynasty The dynasty left a tradition of cosmopolitan culture and artistic patronage Farrukh Hussain |
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Emperor Shah Jahan with His Prime Minister ca. 1650 Watercolour and gold on paper The concept of divine light being communicated from god
Akbar -Jahangir - Khusraw - Pervez - Shaharyar |
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Fatehpur Sikri sites, late 16th c.: Agra Akbar constructed largely by western Indian temple carvers modified pre-existing sultanate styles
Red Sand Stone
Buland Darvaza 1573-4 Grand gateway, continuos calligraphy of Koranic verses Three Mihrabs to mark the direction of the Mecca
Tomb of Shaykh Salim Chishti ca. 1571-80 Marble
Hall of Public Audience ca. 1571-6 Akbar sat enthroned on high, proclaiming as it were his position as the axis mundi, the central pillar of the Mughal empire.
Akbar leaves Sikri for Lahore. |
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Akbar Restrains Havai from the Akbarnama Abul Fazl Basavan ca 1590 water color on paper
Diagonal movement across two pages, Sweeping action Billowing waters Incredible detail Everything is given as much attention as the emperor on the elephant The horizon placed high |
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The Dying Inayat Khan ca. 1618-19 Mughal Period Ink and light color on paper from the Jahangirnama Inayat was a Mughal courtier Indulges himself on wine and opium and dies of its abuse Had epileptic fits, ate too much even though the doctor told him not to Developed Cachexia and Dropsy, loosing incredible amounts of weight "Skin stretched over bone" |
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Ustad Ahmed Lahori Amanat Khan
The Taj Mahal Agra 1631-43 Marble/red sandstone Shah Jahan The simplicity of the proportions creates its effect of symmetry and harmony. The inscriptions engraved on the monument reveals every verse from the Koran that speaks about the Day of Judgment while no other Koranic verse is given space.
Mumtaz Mahal Mehtab Bagh, a great octagonal pool that would reflect the Taj by moonlight
The Taj actually stands in the middle of a great garden, similar to all the other royal Mughal tombs. |
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City Palace Udaipur Rana Udai Singh ca. 1570 Mewar, Rajput Rajasthan Thee sun is the emblem of the Mewar House A fusion of the Rajasthani and Mughal architectural styles, asymmetrical, mazelike, perishable material. Built on a hill top that gives a panoramic view of the city and its surrounding Considered the largest royal complex in Rajasthan
Exotic theme of dutchmen was picked up by Mewari artists |
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Rana Ari Singh at Worship in the Garden Mansion ca. 1765 Watercolor on paper Udaipur's palace used as a backdrop Detailed visual reportage of the Rana's activities |
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Sahibdin & workshop Rama and Lakshmana Bound by Arrow-Snake from the Ramayana ca.1650-2 Portrays 11 scenes, Incredible, spectacular narrative |
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Crowned Ganesha Basohli ca. 1720 watercolor on paper
Incorporates Mughal painting characteristics compared to Mewar Red borders, deep mustard background, barest strip of of blue at the upper margin to indicate the sky.
Jewelry tradition, spohiticates court art , |
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St. Francis Xavier Goa early 17th c. painted wood Goa's beloved patron saint, Indian baroque, This saint cared for the poor and sick/infirm. He converted many people to Catholicism |
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St. Anne and the Virgin Mary as Child 18th c. Painted wood
Even though the church disapproved of non-christians creating Christian images, the Goan's were very skilled with wood and ivory carving.
Soft simple lines in contrast with the sharp delineation of the Portuguese Baroque. |
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Francesco Manco Church of Our Lady of Divine Providence 1656-61 Dome based on the St Peters in Rome |
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Willoughby Hooper Madras Famine 1877-8 Albumen print |
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English Staffordshire dinner place with Daniell’s Remains of an Ancient Building near Firoz Shah’s Cotilla Delhi ca. 1820
The subject matter is exotic and novel but the manner of presentation is familiar and acceptable to the British eye. |
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Frederick W. Stevens Victoria Terminus Mumbai 1878-87 Ornate, magnificent domes, Major railway station, Headquarters of the Great Indian Peninsular Railway Venetian gothic style, Indo Saracenic, Sandstone Might of the British Raj British believed that the greatness of a civilization was expressed through the grandeur of its structures. |
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Banquet Hall Government House Madras 1802 Erected by Lord Clive Neo Classical Exclusively European |
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Edwin Lutyens Rastrapati Bhavan (Viceroy’s, now President’s House) New Delhi 1931
Grandly classical but inspired by Indian architecture. |
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Tipu’s Tiger Commissioned by Tipu Sultan ca. 1795 |
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Ravi Varma Woman Holding a Fan ca. 1895 |
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Abanindranath Tagore Mother India 1905 |
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Le Corbusier Assembly Hall Chandigarh 1951-64 |
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Meera Mukherjee Ashoka at Kalinga 1972 |
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Anish Kapoor At the Hub of Things 1987 |
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Jamini Roy Gopini ca. 1935-40 |
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Raghubir Singh Through a Jewellery Store Bombay 1997 |
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