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a figure of speech in the form of a hyperbole taken to such extreme lengths as to suggest a complete impossibility.
ie: i will sooner have a beard grow in the palm of my hand than he shall get one of his cheek |
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a meter that uses a consistent number of strong speech stresses per line.
The number of unstressed syllables my vary, as long as accented syllables do not. Much popular poetry, such as rap and nursery rhymes, is written in accentual meter. |
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A narrative in verse or prose in which the literary events (perseons, places, things) consistently point to a parallel sequence of symbolic ideas. Often used to dramatize abstract ideas, historical events, religion, or politics. Has 2 levels of meaning: literal level that tells surface story and symbolic level in which abstract ideas unfold. (Faith in Young Goodman Brown) |
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repetition of 2 or more consonant sounds in successive words in a line of verse or prose.
Initial Alliteration: beginning of the words (cool, crazy cat)
Internal Alliteration: internally on stressed syllables (In kitchen cups concupiscent curds) |
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a lyric or song delivered at dawn, generally involving lovers who must part, or occasionally, one lover who asks the other to wake up
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words, phrases, clauses, or sentences set in deliberate contrast to one another.
Balances opposing ideas, tones, or structures to heighten effect of a statement. |
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direct address to something or someone.
Often addresses something not normally spoken to. May address inanimate objects, dead or absent people, abstract things, or spirits. Used to provide speaker with means to articulate thoughts aloud. |
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recurring symbol, character, landscape, or event found in a myth and literature across cultures and eras. (ex: the devil)
This idea began when Carl Jung had the theory of a collective unconscious. |
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repetition of two or more vowel sounds in successive words, which creates kind of a rhyme.
initial: all the awful auguries
internal: white lilacs
used to make the line memorable and focus attention on key words or concepts. |
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Definition
the most common form of ballad meter consists of 4 lines rhymed ABCB
first and third lines have 4 metrical feet
second and fourth lines have 3 metrical feet
(4,3,4,3) |
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Definition
a body of writings recognized by authority
list of books/poems/plays that a group of people have decided are important and worthy works |
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a pause within a line of verse.
Traditionally appear near middle of a line, but may be varied for expressive rhythmic effects. Usually occur at mark of punctuation, but can occur without. |
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an association or additional meaning that a word, image, or phrase may carry, apart from literal denotation.
Picked up from past uses
Ex: owl is not just a bird, it carries thoughts (connotations) associated with it. |
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(slant rhyme)
linked words that share similar consonant sounds but different vowel sounds (mink, monk) |
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meterical foot of verse
stressed/unstressed/unstressed
(Bat-ter-y / Par-a-mour) |
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the type of word choice and vocabulary an author decides is appropriate.
Concrete: highly specific word choice in the naming of something or someone
Abstract: words that express general ideas or concepts
boxer puppy [concrete] vs. young canine [abstract]
Lake Ontario [concrete] vs. body of fresh water [abstract] |
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intended to teach the reader a moral lesson or impart a body of knowledge
poetry that aims for education over art |
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verse full of irregularities- often due to poet's incompetence
crude verse with cliche, obvious rhyme, and inept rhyme |
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when the audience knows what is coming, but the character does not |
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a poem written as a speech made by character at a decisive moment
(my last duchess) |
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a lament or sadly meditative poem, often written about death.
usually a sustained poem in a formal style |
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line of verse that ends in a full pause, usually indicated by a mark of punctuation |
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English (Shakespearean) sonnet |
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Definition
rhyme scheme organized into three quatrains with a final couplet : ABAB CDCD EFEF GG
shifts or turns often occur between quatrains (usually the 9th line) |
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line of verse that does not end in punctuation, but carries on grammatically to the next line. |
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a short, often summarizing stanza that appears at the end of certain poetic forms (sestina, chant royal, French Ballade)
contains poet's parting words
comes from french "envoi" [which means sending forth] |
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a very short poem, often comic, usually ending with some sharp turn of wit or meaning |
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"unfolding"
entire poem is explained in detail, addressing every element and unraveling any complexities as a means of analysis |
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a rhyme of two or more syllables with a stress on a syllable other than the last.
Turtle & Fertile |
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an expression or comparison that relies not on its literal meaning, but rather on its connotations and suggestions
"he's dumber than dirt"
major types: simile, metaphor, metonymy, synecdoche |
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Definition
anonymous narrative sounds, usually in ballad meter, that were originally transmitted orally.
most have been transcribed so they're not lost, but were originally for oral performance, resulting in many versions. |
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unit of measurement in metrical poetry.
different meters are identified by pattern and order of stressed and unstressed syllables in it.
usually contain 2 or 3 syllables, with one syllable accented. |
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means by which literary work reveals its meaning.
(the way the author exposes meaning and content of that meaning) |
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From the French "vers libre"
Describes poetry that organizes its lines without meter. It may be rhymed (as in some poems by H.D.), but it usually is not. There is no one means of organizing free verse, and different authors have used irreconcilable systems. What unites the two approaches is a freedom from metrical regularity. |
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Definition
Two rhymed lines that contain an independent and complete thought or statement. This closed couplet usually pauses lightly at the end of the first line; the second is more heavily end-stopped, or "closed".
Must be written in rhymed iambic pentameter to be called heroic couplets. (otherwise they are "closed couplets") |
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A verse meter consisting of sex metrical feet, or six primary stresses, per line. |
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exaggeration used to emphasize a point |
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A metrical foot in verse in which an unaccented syllable is followed by accented one, as in "ca-ress" or "a cat".
The iambic measure is the most common meter used in English poetry. |
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Irony
(Verbal/Rhetorical) |
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Definition
A literary device in which a discrepancy of meaning is masked beneath the surface of the language. [says something, but means the opposite]
Verbal Irony- there is a discrepancy which is contained in words |
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Term
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Definition
A literary device in which a discrepancy of meaning is masked beneath the surface of the language. [says something, but means the opposite]
Situational: the discrepency exists when something is about to happen to a character or characters who expect the opposite outsome |
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Term
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Definition
(also called a Petrarchan sonnet)
a sonnet with the following rhyme pattern for the first eight lines (the octave) : abba, abba; the final six lines (the sestet) may follow any pattern of rhymes, as long as it does not end in a couplet. The poem traditionally turns, or shifts, in mood or tone, after the octave. |
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a list of many things. when used to describe a verse- a verse that records the names of several persons, places, or things in the form of a list |
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A statement that one things is something else, which, in a literal sense, it is not. By asserting that a thing is something else, a metaphor creates a close association between the two entities and usually underscores some important similarity between them.
"Richard is a pig" |
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Definition
A recurrent, regular, rhythmic pattern in verse. When stresses recur at fixed intervals, the results is meter. Traditionally, meter has been the basic organizational device in world of poetry. There are many existing meters, each identifies by the different patterns of recurring sounds. in English most common meters involve the arrangement of stressed and unstressed syllables. |
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Figure of speech in which the name of a thing is substituted for that of another closely associated with it. For instance, in saying "the White House decided," one could mean that the president decided. |
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A metaphor that trips over another metaphor- usually unconsciously - already in the statement. Mixed metaphors are the result of combing two or more incompatible metaphors resulting in ridiculousness or nonsense. For example, "Mary was such a tower of strench that she breezed her way through all the work" (towers do not breeze) |
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reversal of sound of syntax. (chi means X in Greek). ie: having a verb then prepositional phrase in one line, then the prepositional phrase then verb in the other line (strike in the sketches, or in the picture glow.) |
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A poem that tells a story. Narrative is one of the four traditional modes of poetry, along with lyric, dramatic, and didactic. Ballads and epics are two common forms of narrative poetry. |
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A brief, usually allegorical narrative that teaches a moral. The parables found in Christian literature, such as "the parable of the prodigal son", are classic examples of the form. In parables, unlike fables (where the moral is explicitly stated within the narrative), the moral themes are implicit and can often be interpreted in several ways. |
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A statement that at first strikes one as self-contradictory, but that on reflection reveals some deeper sense. Paradox is often achieved by a play on words. |
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an arrangement of words, phrases, clauses, or sentences side-by-side in a similar grammatical or structural way. Parallelism organizes ideas in a way that demonstrates their coordination to the reader. |
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A mocking imitation of a literary work or individual author's style, usually for comic effect. A parody typically exaggerates distinctive features of the original for humorous purposes. |
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A figure of speech in which a thing, an animal, or an abstract term is endowed with human characteristics. Personification allows an author to dramatize the nonhuman world in tangibly human terms. |
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Poetic Diction/poetic license |
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Strictly speaking, poetic diction means any language deemed suitable for verse, but the term generally refers to elevated language intended for poetry rather than common use. Poetic diction often refers to the ornate language used in literary eriods such as the Augustan age, when authors employed a highly specialized vocabulary for their verse. |
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An artificial word that combines parts of other words to express some combination of their qualities. Sometimes portmanteau words prove so useful that they become part of the standard language.
(smog= smoke & fog)
(brunch= breakfast & lunch) |
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The study of metrical structures in poetry. |
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A meter constructed on the principle of vowel length. Such quantities are difficult to hear in English, so this meter remains slightly foreign to our language. Classical Greek and Latin poetry were written in quantitative meters. |
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A word, phrase, line, or stanza repeated at intervals in a song or poem. The repeated chorus of a song is a refrain. |
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A practice used to describe rhythmic patterns in a poem by separating the metrical feet, counting the syllables, marking the accents, and indicating the pauses. Scansion can be very useful in analyzing the sound of a poem and how it should be read aloud. |
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A usually pejorative description of the quality of a literary work that tries to convey great emotion but fails to give the reader sufficient grounds for sharing it. |
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lyrics written in Greek. stanzas of four lines. the first three lines have eleven syllables, the last line has five syllables. |
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A person, place, or thing in a narrative that suggests meanings beyond its literal sense. Symbol is related to allegory, but it works more complexly. In an allegory an object has a single additional significance. By contrast, a symbol usually contains multiple meaning and associations. |
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The use of a significant part of a thing to stand for the whole of it or vice versa. To say wheels for car or rhyme for poetry are examples. |
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a verse form made up of three-line stanzas that are connected by an overlapping rhyme scheme (aba, bcb, cdc, ded, ect.) Dante employs this in The Divine Comedy |
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the attitude toward a subject conveyed in a literary work. no single stylistic device creates tone; it is the net result of the various elements an author brings to creating the work's feeling and manner. Tone may be payful, sarcastic, ironic, sad, solemn, or any other possible attitue. A writer's tone plays an important role in establishing the reader's relationship to the characters or ideas presented in a literary work. |
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a certain sort of poem or a gimmick in a poem. a listing of things and activities that different people value (kind of like a catalogue of values) |
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from the Latin "versum"-meaning "to turn"
2 major meanings:
1. any single line of poetry
2. any composition in lines of more or less regular rhythm- in contrast to prose. |
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an adjective meaning "agricultural". also a noun used to designate a poem about farming and allied aspects of rural life. |
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two words rhyming with one word, or two words rhyming with two words; "i never knew that Dina Shore would be the media's synosure." |
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a disyllabic rhyme of the last syllable of the second foot and the first syllable of the third foot, with the two syllables of the sixth foot.
NOTES: 4th and 8th syllables of the line rhyme |
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a recurring motif throughout different works and authors. something that is recognizable when seen. |
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having become common. (seen it many times in many areas) (a common motif) |
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the recurrent use of a descriptive phrase in place of the ordinary name for something. |
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a roundabout, elaborate way of saying something |
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a rhetorical figure of speech that consists of a play on words, i.e., using a word in a way other than what is considered its literal or normal form |
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a description of an art object |
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an understatement using a negative (ie. "not abhorred by the nymphs" meaning the nymphs were crazy for him |
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Capability of being understood in two or more ways |
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A formal or high-flown expression of praise; a eulogy, panegyric |
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A nuptial song or poem in praise of the bride and bridegroom, and praying for their prosperity |
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A virulent or scurrilous satire upon an individual. |
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The need for one text to be read in the light of its allusions to and differences from the content or structure of other texts (one text alluding to another text) |
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An assumed character or role, esp. one adopted by an author in his or her writing (the speaker of the poem) |
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The use of metaphors in which terms relating to one kind of sense-impression are used to describe sense-impressions of other kinds; the production of synæsthetic effect in writing or an instance of this. (sharp tongue, loud colors) |
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the same word is used more than once, but the meaning needs to be changed in order to understand it (both literal and metaphorical) [first he ate his hotdog, then he ate his words] |
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descriptive terms that are off the rack, not tailor made, standard, not particularly meaningful. they are used as fillers in poems (blood red, milk white) |
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similes found in epics that are very long in length. (Stars: crowds of them in the sky, sharp in the moonglow when the wind falls and all the cliffs and hills and peaks stand out and the air shears down from heaven and all the stars are visible) |
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Poetry written on the occasion of a significant historical or personal event |
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incremental refrain/repetition |
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a line that is almost the same as another, but has a slight difference |
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A poem describing the life and manners of shepherds; a poem in which the speakers assume the character of shepherds |
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An error in logical argumentation which consists in treating inanimate objects or concepts as if they were human beings |
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the art of "shaped" poems in which the visual force is supposed to work spiritually or magically |
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a stanza with eight lines of iambic pentameter and a concluding Alexandrian with the rhyme pattern abab bcbc c |
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a poetic catalog of a woman's admirable features |
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a metaphor in which it is difficult to see the connection between the things being compared; a metaphor that is difficult to understand |
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when the same stanza is used throughout the poem (same length, rhyme scheme, meter, ect.) |
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similes that Petrarch used and popularized; things such as “you’re lips are like cherries" |
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reference to a current event |
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modeled after a poem, not necessarily making fun of it, often just updating it |
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an early version of something before the full version that comes to light (old testament event that foreshadows a new testament event) |
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in ancient Greek mythology any of 9 daughters of Zeus and Mnemosyne; protector of an art or science; a source of inspiration |
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