Term
|
Definition
| product of the industrial revolution |
|
|
Term
|
Definition
| middle class is the main patronage, some can afford cameras |
|
|
Term
|
Definition
| art movement began in the mid 19th century. attempted to create objective representations of the external world. based on impartial observations of contemporary life. consciously democratic, including subject matter that had previously been considered unworthy of vulgar |
|
|
Term
|
Definition
|
|
Term
|
Definition
| not an art movement "impressionism" example- phylosophy - 2 defining points - the 'here' and 'now'. the process of art - obvious strokes and creation of the piece |
|
|
Term
|
Definition
| salon of the reused art, 1863 additional exhibition of refused art from the french academic salon. when the public spoke up about what they wanted to see |
|
|
Term
|
Definition
| purposeful male stroller. observers of society-detached |
|
|
Term
|
Definition
| purposeful male stroller. observers of society-detached |
|
|
Term
|
Definition
| influence of Japanese prints on 19th century western arts |
|
|
Term
|
Definition
| Societe anonymedes artists - impressionist exhibitions. 8 exhibitions between 1874-1886. sketchiness in submitted paintings |
|
|
Term
|
Definition
| art for arts sake. art without morals |
|
|
Term
|
Definition
| cutting edge, breaking away from the norm |
|
|
Term
|
Definition
| Name given by Roger Fry. artists include, Cezanne, seurat, van gogh, gauguin and toulose-lautrec. no formal organization. followed impressionism's modernist interests and palette. added formal elements |
|
|
Term
| pointillism - divisionism |
|
Definition
|
|
Term
|
Definition
| distortion of facial features usually for comic effect |
|
|
Term
|
Definition
| stone - printing process using a greasy pen on a stone surface; printing ink adheres only to the oily lines of the drawing many impressions can be made from a single stone plate. |
|
|
Term
|
Definition
| litterary movement; begun in France. rejected interest in nature of impressionism . main focuz is interior. man's soul or dreams. drawn to dreams, myths, the macabre and poetic |
|
|
Term
|
Definition
| new art. arts and crafts brought together. beauty transforms the mundane. focus was strongly architectural and interior design. moves architecture into a more stream line approach, one step away from modern architecture. |
|
|
Term
|
Definition
| wild beasts. group of artists who appeared to substitute raw energy for draftsmanship and technique. primary colors were dominant clearly influenced by van gogh and gauguin |
|
|
Term
|
Definition
| "the bridge" opposed to the "older, well-established powers" wannted to created a bridge to the future. influenced by Nietzsche. opposed to Bourgeoisie lifestyle. considered bohemians |
|
|
Term
|
Definition
| the blue rider. focus was on visually expressing a spirituality that resided beneath the surface of the visual world. used color as a language. theosophy(the study of the philosophy of religion) |
|
|
Term
|
Definition
| is that in which space is reduced to a flat plane and the subjects look as if they were sliced into small strips which were put back together in shifting and overlapping planes and intersecting triangles of empty space |
|
|
Term
|
Definition
| this is simply subism that is contructed of exterior materials, paper and other materials(college). provokes the question what is real and what is not real |
|
|
Term
|
Definition
| a combination of fauvism and cubism, with a reference to the spirituality of color and the spirituality of flight |
|
|
Term
|
Definition
| Italian movement. used cubism's formal discoveries to represent figures and machines in motion and to express a new universal dynamism . the machine was the dawn of a new era for it |
|
|
Term
|
Definition
| a non representational style of art developed in Russian in the early 20th century. used severely simple geometric shapes or forms. extremely limited palette. goal: to convey that the supreme reality in the world is pure feeling which can attach itself to no object |
|
|
Term
|
Definition
| a reactionary movement to WWI Dada-ists believed reason and logic had been the cause of war. therefore, the only route to salvation was through the irrational and the intuitive |
|
|
Term
|
Definition
| literary movement founded by the poet Andre Brenton in 1924. met Freud in 1922-fascinated by the idea of the unconscious mind's control. surrealist manifesto was to resolve the previously contradictory conditions of dream and reality into an absolute reality |
|
|
Term
|
Definition
| sought to create, through abstraction, total environments that were so perfect they embodied a universal harmony. spiritual. Utopian values. nationalism would be obsolete |
|
|
Term
|
Definition
| functional art. goals of government. to keep communism going |
|
|
Term
|
Definition
|
|
Term
|
Definition
| on every continent. simplified block style of concrete and steel |
|
|
Term
|
Definition
| after WWII. no object or subjects |
|
|
Term
|
Definition
Title: The Stonebreakers
Arist: Courbet
Movement: Realism
Info: portayed as they are in reality. poor, poverty, low paying job. he depicts the harsh reality of the workers. pity for the middle class. what he witnessed with his own eyes. |
|
|
Term
|
Definition
Title: The Third-class carriage
Arist: daumier
movement: realism
info: showing the dignity of the lower class and also the harsh reality of it. This is a caricature but not comic. "lonley crowd". common and daily commute |
|
|
Term
|
Definition
Title: Nymps and a Satyr
Arist: Bouguereau
Movement: French Academic
Info: rebeling. mythological scene.overtly eroitc. classical erotic abandoment phychology. backdrop of nature |
|
|
Term
|
Definition
Title: Olympia
Arist: Manet
Movement: Realist
Info: This was accepted into the adaemy and the men who viewed it were nervous because Olympia was a mistress and most men had mistresses. This exposed the secret life of men to themselves |
|
|
Term
|
Definition
Title: A Bar at the Folies Bergere
Artist: Manet
Movement: Realism
Info: Skewed to show the paint on the canvas. and to show the beauty of the painting. The barmaid is real and shows a blank expression suggesting alienation. skew of the barmaid in the mirror may suggest a dual role of prostitute and barmaid |
|
|
Term
|
Definition
Title: The Orchestra of the Paris Opera
Artist: Degas
Movement: Impressionism
Info: Japonime inspired. view from the pit with the lower class. stage is slightly skewed along with the angular thrusts of instruments and the dancers' legs and arms. abrupt cropping and spatial contraction is japanese inspired. |
|
|
Term
|
Definition
Title: Wheatstack, Sun in the Mist
Artist: Monet
movement: Impressionism
Info: he was a serial painter of wheat stacks, same wheatstack at different times of the day. used complementary colors to make the image vibrate. feathery brushstrokes |
|
|
Term
|
Definition
Title: Luncheon of the Boating Party
Artist: Renoir
Movement: Impressionism
Info: leisure scene. cropped on the side, sloping lines. Japonism inspired. figures, and line. feathry brushstrokes. landscape in the back. |
|
|
Term
|
Definition
Title: Summer's Day
Artist: Morisot
Movement: Impressionism
Info: melancholy. bird's in cages. shows fashionalbly dressed figures not interacting, deep in thought.asymmetrical cropped composition |
|
|
Term
|
Definition
Title: Where do we come from? What are we? Where are we going?
Arist: Gauguin
Movement: Post-Impressonism
Info: Painted to be his last paiting before he tried to commit suicide. shows birth, youth, old age. about the history of human kind |
|
|
Term
|
Definition
Title: Nocturne in Black and gold: the falling rocket
Arist: Whistler
Movement: aestheticism
Info: After the explosion of a firework, line, form, and color. Abstract painting visual music |
|
|
Term
|
Definition
Title: Mont Saint-Victoire
Arist: Cezanne
Movement: Post-Impressionism
Info: persuit of purity of art. japonism. shows cool and warm colors to show distance |
|
|
Term
|
Definition
Title: Sunday Afternoon on the Island of La Grande Jatte
Artist: Seurat
Movement: Post-Impressionism
Info: Pointalism/Divisionism. patterns, plays with perspective. |
|
|
Term
|
Definition
Title: Night Cafe
Arist: Van Gogh
Movement: Post-Impressionism
Info: painting from his emotions with color. uses red and green to express the terrible passions of humanity by making an acidic atmosphere |
|
|
Term
|
Definition
Title: Starry Night
Arist: Van Gogh
Movement: Post-Impressionism
Info: was painted in a mental institution for therapy. shows the wind in the sky and the movement of the tree in the trees |
|
|
Term
|
Definition
Title: At the Moulin Rouge
Artist: Tolouse-Lautrec
Movement: Post-Impressionism
Info: carticature, but not funny. degas influence (japonism). subject is off center. sloping lines. cropping. facepainted almost figures to show mood. lautrec in the background as a small guy |
|
|
Term
|
Definition
Title: Salome with the head of john the baptist
Arist: Beardsley
Movement: Symbolism
Info: from death comes lifes. death of john the baptist comes life of the plants |
|
|
Term
|
Definition
Title: The Scream
Artist: Munch
Movement: Symbolism
Info: The scream is comming from nature and the man is holding his ears to shield himself from it. the man has abandonment issues from the peopel walking away from him while hes having a nervous breakdown |
|
|
Term
|
Definition
title: The Kiss
Artist: Klimt
Movement: Symbolism
Info: shows the passion of the man and the women becoming one with the kiss thought the pattersn entertwining . it also shows danger, the women may not want the kiss and she is nearing falling off a cliff. |
|
|
Term
|
Definition
Title: The Thinker
Artist: Rodin
Movement: Symbolism
Info: michelangelo inspired. organic. molded not carved. large hands and feet shows the weight of the thinkers phycological load. |
|
|
Term
|
Definition
Title: The tassel house
Artist: horta
Movement: Art nouvaeu
Info: invention of iron opens up space. everyday objects get turned into beauty |
|
|
Term
|
Definition
title: Casa Mila
Artist: Gaudi
Movement: Art Nouveau
Info: carved out of stone, plasticity, the inside has just as movement as the outside with angled walls, everything inside was also created by gaudi |
|
|
Term
|
Definition
Title: The woman with the hat
Artist: Matisse
Movement: Fauvism
Info: Uses very vibrant primary and secondary colors to create the image. no use of black for shadows. |
|
|
Term
|
Definition
Title: The Red Studio
Artist: Matisse
Movement: fauvism
Info: Red is highly evocative color. its a flat shade throughout the entire room. the rest of the objects seem to pop out. the things that pop out are his acomplishments |
|
|
Term
|
Definition
Title: Street, Dresden
Artist: Kirchner
Movement: Die Brucke
Info: shows the busy streets of society, always pushing each other out of the way to get to the stores or shops |
|
|
Term
|
Definition
Title: Sketch I For "Composition VII"
Artist: Kandinsky
Movement: Der Blaue Reiter
Info: First non-representational art image. meant for the viewer to put together their own meaning of the colors |
|
|
Term
|
Definition
Title: Animal Destinies
Artist: Marc
Movement: Der Blaue Reiter
Info: showing animals meant for them to be pure and that they are trapped |
|
|
Term
|
Definition
Title: Les Demoiselles d'Avignon
Artist: Picasso
Movement: protocubism
Info: Its about the red light district in Barcelona. the fruit shows lust |
|
|
Term
|
Definition
Title: Guitar, Sheet Music, and wine glass
Artist: Picasso
Movement: Synthetic Cubism
Info: uses a collage to say that mass produced objects can be art |
|
|
Term
|
Definition
Title: The Portuguese
Artist: Braque
Movement: Analytical Cubism
Info: unfolding the 3D musician on to a 2D plane to show his truth as an object in space |
|
|
Term
|
Definition
Title: Disks of Newton
Artist: Kupka
Movement: orphism
Info: Draws upon the abstract power of music. the saturated palette recalls medieval stained glass |
|
|
Term
|
Definition
Title: Horse
Artist: Duchamp-Villon
Movement: Futurism
Info: trying to entwine a horse with a machine to represent horse power
|
|
|
Term
|
Definition
Title: States of Mind I: Farewells
Artist: Boccioni
Movement: Futurism
Info: shows a train and shows the perpetual movement of all objects and energy by showing the train and the electric railroad signals and trussed steel towers |
|
|
Term
|
Definition
Title: Suprematist Composition: Airplane flying
Artist: malevich
Movement: suprematism
Info: shows the purity of color and the rectangle |
|
|
Term
|
Definition
Title: Fountain
Artist: Duchamp
Movement: Dada
Info: making and ordinary object and calling it art. made people question what is art. irrational |
|
|
Term
|
Definition
Title: 1 piping man
Artist: Ernst
Movement: dada
Info: machine parts cut out and painted to look like a man. doesn't make any sense and that is what Dada is all about. |
|
|
Term
|
Definition
title: I and the Village
Artist: chagall
Movement: Surrealism
Info: expressive representations, dreamlike, the goat represents his girl friend for unconditional live. it is about his childhood life in his dreams. |
|
|
Term
|
Definition
title: Guernica
Artist: Picasso
Movement: Surrealism
Info: It is about the bombing of a small market town full of women and children during the first strike of the blitzkrieg 7000 were killed. shows the horror of it all |
|
|
Term
|
Definition
Title: Persistance of Memory
Artist: Dali
Movement: Surrealism
Info: Showing how time could be an organic object. the clocks turn into pieces of cheese melting in the sun being eaten by the ants. and so is he |
|
|
Term
|
Definition
title: Composition with red, blue, and yellow
Artist: Mondrain
Movement: neo plasticism/de stijl
Info: an asymettrical peice of primary colors and white/black. he had harmonic understanding of math. trying to get rid of the human element and make everything perfect |
|
|
Term
|
Definition
Title: Monument to the third international
Artist: tatlin
Movement: constructivism
Info: building of the communist soviet union different shapes hold different branches of government. rotating levels. very idealistic and he couldn't even do real architecture. |
|
|
Term
|
Definition
Title: Bauhaus shop block
Artist: Gropius
Movement: Bauhaus
Info: it is trying to meet the needs of the 21st century. The students had to walk through other types of schooling like architecture and metalworking to get to their art classes, this may give them ideas for their art. big wide open spaces with large windows. steel made ths possible combines arts and crafts together |
|
|
Term
|
Definition
Title: Savoye house
Artist: Le Corbusier
Movement: international style
Info: streamlined, very regular shapes. opens up the walls with movable walls. domino house style 3 level of empty space, load bearing and form following function. |
|
|
Term
|
Definition
title: Autumn rhythm: number 30
Artist: Pollock
Movement: abstract expressionist
Info: used action painting method. its about the process of creating art. no subject matter |
|
|
Term
|
Definition
| strongly influenced by science, philosophy and phycology |
|
|
Term
|
Definition
| exhibition in pairs in the autumn of 1905 an important venue for avant garde artists |
|
|
