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"living the role" actor creates the emotions and passions of a person he is acting |
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actor presents outward appearance, physical and vocal details of characters emotions without personal emotions |
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disguises everyday personality in physical and emotional traits of character |
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consistently plays a recognizable version of himself |
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illusion of reality characters living life unaware of audience |
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imaginary actors do not know audience is there |
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"The Illusion of the 1st time" |
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as though the play is happening for the first time |
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central support skull, vertebrae, ribs, sternum, hyoid bones |
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limbs, pelvic girdle, pectoral girdle |
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nasal passage oral cavity tongue vocal folds trachea lungs diaphragm |
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descends during inhalation ascends during exhalation 75% breathing capacity |
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" to throw out" voice controlled breathing relaxed open throat clear articulation |
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an actor's interpretation of his dialogue |
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auditorium: directions are from audience point of view house right is the same as stage left |
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backstage including wings |
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offstage: area concealed from audience |
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areas right and left sides of the stage |
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high-ceilinged area over the stage things "flown in" |
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"on stage" or "playing the area" |
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proscenium arena of theater in the round thrust or three-quarter greek amphitheater |
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traditional theater with arched opening and a curtain |
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arena of theater in the round |
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seats surrounding backstage behind audience |
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thrust or three-quarter area |
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seats on 3 sides normally includes a proscenium stage with playing area extended into audience |
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"outdoor" theater low stage with semi circles of seats on a hillside |
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center, center left and right up center, down center up left, down elft up right, down right |
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stages used to be "raked" meaning high in the back and sloped to audience |
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set physical action for the scene |
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what the audience literally focuses on giving, taking, and sharing focus |
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a shared one-quarter position |
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turn at a 45 degree angle to the audience to let them see you same plane as partner |
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successfully move and still remain open to audience |
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tactics commitment imagination: the "magic if" |
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elements of building a character |
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the text observation imagination |
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who am I? where am I? what do I want? who or what is in my way? what will i do to get it? when do I want it? |
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all conditions surrounding and influencing a character during a scene |
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environment- physical space |
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physical state - healthy? injured? rested? etc |
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