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A style associated w/eastern Europe that arose after 300ce, The year that Emperor Constantine moved the capital of his empire from Rome to Byzantine and renamed the city Constantinople (present day Istanbul).
The style was concurrent w/the early christian style in western euroupe. |
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A vault or gallery in an underground burial place |
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Referring to Charlemange or his period.
Charlemange was emperor of the Holy Roman Empire from 800 - 814 ce |
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A design for a church or a chapek with a primary central space surrounded by symmetrical areas around each side. (contrasts with Longitudinal plans) |
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A raised platform or stand used for sacred ceremonial or ritual purpose |
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Alternate a-b-a-b support system |
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An architectual support system in which every other nave wall support sends up a supporting rib that crosses the vault as a transverse arch |
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An architectual support systen in which alternating structural elements bear the weight of the walls and the load from the celing. |
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In a church, a continuation of the side isles of a latin cross plain into a passageway that extends behind the choir and apse and allows traffic to flow to the chapels, which are often placed in this area. (from latin for to walk , ambulare) |
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The angel gabriels announcement to MAry that she would give birth to Jesus |
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The ultimate triumph of good over evil foretold in Judeo-Christion writings. |
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A semi circular or polygonal projection of a building w/ a semi circular dome, especially on the east end of a church. |
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In architecture, the area that defines the right-angle intersection of the vaults of the nave and the transept of a church |
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In Gothic style, a completely shaped vertical support to which a number of colonnettes (thin half columns) are often attached. |
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In latin cross plan, the area above the triform in the elevation of the nave, which contains windows to provide direct lighting for the nave |
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A position in which a figure is obliquely balanced around a central vertical axis (Weight shift Principle) |
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In architecture, the lower part of an entablature, which may consist of one or more horizontal bands |
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A form of christianity dominant in Eastern Europe, Western Asia and North Africa |
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A buttress that is exterior to a building but connected in a location that permits the buttress to support an interior vault |
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In architecture, a rib that connects the opposite corners of a groin vault. |
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A cross shaped design, particularly of a church, in which the arms (nave and trancept) are equal in length. |
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Simple human representations; realistic figure painting that focuses on themes taken from everyday life. |
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The use of relative size to indicate the comparative imporance of depicted objects or people |
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A style of decorative mosaic inlay |
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A post world war I school of art and architecture that used modern materials and methods and expressed the view that form must follow function. |
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International Gothic Style |
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A refined style of painting in late fourteenth- century and early fifteenth century Europe characterized by splendid processions and courtly scenes, ornate embellishment, and attention to detail. |
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In architecture, the side post of a doorway, window frame, fireplace, etc. |
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a cross shaped church design in which the nave is longer than the transcept. |
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A church design in which the nave is longer than the transept and in which parts are symmetrical against an axis. (Contrast with central plan) |
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A crescent- shaped space or opening.
(french for "little moon") |
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small pieces of tile, glass, or stone that are assembled to the create an image |
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The thousand year span (400-1400 CE) from the end of the Roman Classical art to the rebirth of classical traditions in the renaissace. Although this period is sometimes referred to as the dark ages, it was actually a time of important contributions to economics, science and the arts. |
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Illustration or decoration of books and letters with pictures or designs |
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A surface suitable for mural painting |
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Illustration or decoration of a manuscript with pictures or design |
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A church vestibule that leads to the nave, constructed for use by the catechumens
(individuals preparing to be baptized) |
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The central Isle of a church, constructed for use by the congregation at large. |
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A sixteenth century post renaissance style characterized by artificial poses and gestures, vivid -sometimes harsh-
color and distorted, elongated faces. |
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A chapel that is part of a palace. |
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In architecture, a spherical triangle that fills wall space between the four arches of a groin vault in order to provide a circular base on which a dome may rest. |
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A painting, usually iin tempra but sometimes in oil, whose ground is a wooden panel. |
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In architecture, a gateway building leading to an open court in front of a Greek or Roman temple; specifically, such as a building on an the acropolis. |
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In architecture, a design made up of four converging arcs that are similar in appearance to a flower with four petals. |
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A large circular window in a gothic church, assembled in segments that resemble the petals of a flower, usually adorned with stained glass and plantlike ornamental work. |
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A church plan in which rectangular bays serve as the basis for the overall design. (contrast with square schematism) |
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A period spanning the fourteenth and fifteenth centuries CE in Europe. The renaissance (French for rebirth) rejected medieval art an philosophy; it first turned to Classical antiquity for inspiration and then developed patterns of art and philosophy that paved the way toward the modern world. |
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n apse-shaped chapel, several of which generally radiate from the ambulatory in a latin cross plan |
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Developed in the classical style as a means of balancing the human form, consisting of the distribution of tension and repose are passed back and forth from one side of the figure to the other, resulting in an S shape; contrapposto |
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A church plan in which the crossing square serves as the basis for determining the overall dimensions of the building. ( contrast with rectangular bay system) |
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The "arms" of a latin cross plan, used by pilgrims and other visitors for access to the area behind the crossing square. |
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In architecture, a rib that connects the midpoints of a groin vault. |
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In architecture, the space between the nave arcade and the clestory that is used for traffic above the side isles on the second stage of the elevation. |
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In a church, a gallery or arcade in the wall above the arches of the nave, transept. or choir. |
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Semicircular space above the doors of a cathedral |
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In Roman Cotholicism, the visit of the Virgin Mary to Elizabeth; a church feast commemorating the visit. |
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A venus with her hand held over her genitals for modesty |
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A style of european architecture of the eleventh and twelfth centuries that is characterized by thick massive walls,the latin cross plan, the use of barrel vault in the nave, round arches, and a twin-towered facade. |
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A westrern european style developed between the twelfth and sixteenth centuries CE, characterized in architecture by ribbed vaults, pointed arches, flying butteresses, and steep roofs. |
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The beilef that an angelic being, has the responsibility of weighing the souls of the deceased to determine their worthiness, using a set of scales. |
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Divided into two phases: Period of persecution, before Constantine's proclimation
and the Period of Recognition that followed. |
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Christians worshiped in secret:
Catacombs: Small chambers called cubicula served as chapels. (catacomb of st peter and Marcellinus)
Lunettes, orans, |
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public houses of christian worship were constructed. Inspired by roman Architecture, propylaeum/enterance;
coutryars/atrium; access to the basilica through the naarthex; the nave was long central isle of the church; altaar apse.transept. latin cross plan;longitudinal plan; cenmtral plans; mosaics |
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Church of San Vitale
(Byzantine 526-547-CE)[image]
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Hagia Sophia , Constantinople (523-537 CE)
(Modern day Istanbul,Turkey) |
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Title: |
Reims; Visitation, Virgin Mary, Elizabeth; right jamb figures of the central portal, west facade |
Notes: |
The figures depict the visitation of Elizabeth by Mary (from left to right, Mary and Elizabeth) |
Date: |
1211- |
Building: |
Notre-Dame de Reims (Cathedral) |
City/Town: |
Reims |
Country: |
France Medieval period |
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Masaccio
Holy trinity,santa Maria Novella, Florence (c.1428)
fresco 21x10.5 |
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matthias grunewald's
center panel of the isenheim alterpiece
(completed 1515) |
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pieter bruegel. the elder.
the peasant wedding
(1568)
High/late renaissance |
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El Greco
The burial of count Orgaz (1586)
(High/late Renaissance outside Italy) |
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tintoretto ( Jacopo Robusti)
last supper
(1592-1594) LAte high renaissance in Venice
Baroque style |
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last supper
leonardo da vinci (1495 - 1498)
High renaissance |
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Raphel.
School of athens (1510-1511)
High renaissance |
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Michelangelo's
David (1501-1504)
High renaissance |
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Elgreco
The burial of Count Orgaz
toledo spain (1586)
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High late renaissance outside italy, |
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Jacopo Pontormo's
Mannerist Entombment (1525-1528)
Mannerism |
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doors for the baptistery of florence
lorenzo ghiberti (1401-1402)
Sacrifice of isaac
Early Itanlian renaissance |
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doors for the baptistery of florence
filippo Brunelleschi (1401-1402)
Sacrifice of Isaac
Early Italian renaissance |
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