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- the central chain of events in the play
- particularly as those events are the central character's attempt to achieve and an important goal
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- The giving of information about past events
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ARISTOTLE'S SIX PARTS OF A PLAY |
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- Plot
- Character
- Idea/Thought
- Language/Diction
- Music/Sound
- Spectacle
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Term
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- The ordering of the incidents in a play
- Parts of Plot
- Exposition
- Point of Attack-playwright begins the plot
- Action- with discovery and reversal
- Complication- the opposing or entangling of the action--common kind is conflict--can be either caused or accidental
- Rising Action
- Crisis- a turning point in the action
- Dέnouement
- Casual Plot (linear/climactic)- the incidents all can be seen to lie along a line of casualty from beginning to end (linear)- and climactic is used because such can build to a climax. Climax refers to an audiences response to plot and not to a part of the plot.--2 major types: single line of development, and multiple lines of development
- Episodic Plot- the incidents in this do not follow one another. They are usually followed by the exploration of an idea
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Kinds of Characters
- Protagonist- the central figure in the main action
- Confidant(e)- a character in whom the protagonist or another important character confides
- Antagonist- In a play with conflict, the character who opposes the protagonist
- Raisonneur- the authors character. One who speaks for the author directly giving their morals or philosophical ideas. Usually not the protagonist.
- Foil- One who sets off another character by contrast: comic where the other is serious, stupid where intelligent, shrewd where naive.
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Term
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- Tragedy
- Comedy
- Tragicomedy
- Melodrama- a work of apparent seriousness with issues cast in terms of extremes
- Farce- a comic work whose aim is laughter
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Term
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- "seeing place"
- A body of artistic work in which actors impersonate characters in a live performance of a (scripted) play
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- A contract between theatre artists and audiences, an agreement to do things a certain way for the good of all
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- Removal from observable reality
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- "truth seeming"
- the elimination of events that could not reasonably be expected to happen in real life
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- where the actors enter
- underground tunnel system
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- path or road that separates the audience from the playing space
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- a movable platform capable of being rolled or rotated out of the skene to reveal the result of an offstage action
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- some sort of crane that allowed people and things to "fly" in and out
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ARISTOTLE'S MAJOR POINTS ON TRAGEDY |
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Definition
- Imitates "action that is serious, complete, and of a certain magnitude"
- Takes "the form of action, not narrative"
- Produces "pity and fear and the catharsis of such emotions"
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