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Fete galantes
(upside down V over the first E in fete) |
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| Watteau wzas largely responsible fo creating this specific type of Rococo paintin (a term that translates to amorous festival') that depicted the outdoor entertainment or amusments of French High Society |
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| In the 18th Cetury there was a new approach to knowledge based on empirical evidence and in a new way thinking critically about the world and about humankind, independently of religion, myth, or tradition. |
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| This philosopher believed that arts, sciences, society, and civilization in general had corrupted "natural man". HIis views, popular and widely read, were largely responsible for the formation of a taste for the "natural" in art, as opposed to the artificial and frivolous Rococo sensibility |
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| Among the events that fueled the European fascination with classical antiquity during the 18th century were the excavations of which two ancient Roman cities on the Bay of Naples, preserved by the eruption of Mount Vesuvius in the year 79 AD? |
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| Thomas Jefferson championed which style as the official architectural style of the new American republic because it represented, for him, idealism, patriotism, and civic virture |
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| Rather than simply describe nature, Romantic artists often used nature as an _____ , commenting on spiritual, moral, philosophical or historical issues |
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| Related to the imaginitive sensibility of Romanticism was the period's notion of ________, awe mixed with terror, the most intense human emotions that could be found in things like raging rivers and great storms at sea |
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| The great innovatio of this English Romantic painter- in his frothy, turbilent, almost abstract landscape paintings- was to release color from any defining outlines so as to express both the forces of nature and the painter's emotional response to them |
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| This new method of printmaking was invented in the late 18th century. It involves drawing directly on a stone plate with a greasy, oil-based crayon. |
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Louis Jacques-Mande Daguerre
(accent on e in Mande) |
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| In 1839 in Paris, this man invented the first practical photographic process |
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| The flat planes of color and off-centered empty space of woodblock prints from which country influenced painters like Degas? |
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| Which Impressionist painter made series of paintings that observed the same viewpoint during different times of the day, different seasons, and different weather conditions? |
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Cezanne
(accent on first e) |
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| Who said, "I want to make of Impressionism something solid and lasting like art in the museums"? |
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| This artist reformed the Impressionist approach to color and light into pointillism- the disciplined application of pure color in tiny daubs that become recognizable forms only when seen from a distance |
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| This term, meaning "end of century", is used to describe the culture of the late 1800s in Austria. Characteristic of this period was an intense preoccupation with sex and exploration of the unconscious |
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| A late 19th and early 20th century art movement whose proponents tried to synthesize all the arts in an effort to create art based on natural forms that could be mass produced by technologies of the industrial age |
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| An art movement from about 1800 to 1840 that gave precedence to feeling and imagination over reason and thought |
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| A style of art and architecture that emerged in the late 18th century as part of a general revival of interest in classical cultures whose artists adopted themes and styles from ancient Greece and Rome |
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| A late 19th century art movement that sought to capture a fleeting moment, thereby conveying the illusiveness and impermanence of images and conditions |
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| Members of this Emglish movement dedicated themselves to producing hand-made functional objects with high aesthetic value for a wide public, with a style based on natural rather than artificial forms |
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| A late 19th century art movement based on the idea that the artist was not an imitator of nature but a creator who transformed objects of the commonsense world into symbols of a reality that lies beyond the visible world, and ultimately, a reality from within the individual. They rejected the optical world as observed in favor of a fantasy world of forms they conjured in their free imagination, with or without reference to things conventionally seen |
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| An elegant, aristocratic style, primarily of interior design that appeared in France around 1700. Interiors in this style featured lavish decoration, including small scultures, ornamental mirrors, easel paintings, tapestries, reliefs, wall paintings, and elegant furniture |
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| A mid 19th century movement in France, these artists represented the subject matter of everyday life, especially subjects that had previously been considered inappropriate for depiction, in a relatively naturalistic mode. |
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| A term used to describe the stylisticaly heterogeneous work of the group of late 19th century painters in France, including Van Gogh, Gauglin, Seurat, and Cezanne |
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| Pre-Raphaelite Brotherhood |
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| A group of painters in England who rejected the restrictions of Realism to represent fictional, historical, an dfanciful subjects with a significant degree of convincing illusion |
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| The Swing, Fragonard, Rococo |
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| Death of Marat, David Neoclassism |
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| Third of May, Goya, Romanticism |
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| Death of Sardanapalus, Delacroix, Romanticism |
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| The Stone breakers, Courbet Realism |
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| Nocturne in Black and Gold (The falling Rocket), Whistler, Impressionism |
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| Impression, sunrise; Monet, Impressionism |
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| Montagne Sainte-Victoire, Cezanne, Post-Impressionism |
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| Montagne Sainte-Victoire, Cezanne, Post-Impressionism |
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| Sleeping Gypsy, Rosseau, Symbolism |
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Baroque: Large, massive, dramatic
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Rococo
Gentle, playful, small in scale |
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Baroque
Cathedrals and palaces |
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Rococo
Intimate decoration |
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Baroque:
Intense colors, High color contrast |
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Past: Medieval Europe
Intimate: Insanity, inside the mind
Nature: Purity of Nature, beyond rationality
Emotional and Exotic
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Popular Romantic themes for paintings are?
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