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Nicola Pisano, The Annunciation, Proto-Renaissance. |
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Giotto, Lamentation , Proto-renaissance
-Illusionism- Angels coming at diff angles.
-blue sky was revolutionary
-Humanism- different responses to christs death and even the fact that christ is dead.
-Frescoe Painting |
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Duccio, Betrayal of Christ ProtoRenaissance |
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Pietro Lorenzetti- Birth of a Virgin Proto-Renaissance
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Ambrogio Lorenzetti- Peaceful City Proto-prenaissance |
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Claus Slater - The Well of Moses EAR
-Originally Painted
-Bumps on head- supposed to be light radiated from his head
-illusionistic cloathing- drapery hides boy and human anatomy |
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Jan Van Eyck - Arnolfini and his Bride EAR
-filled with symbolism
candle=god and male power
mirror=gods power (each medallion on the mirror is a stage of the passion of the christ)
-eych compared his paintings to the power of god
-girls looks pregnant-forecasting future success (pregnancy) + green drapery=fertililty
-broom next to her means she runs the house
-fruit
dog=loyalty + wealth
-shoes off because its a sacred ceremony. |
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Rogier Van Der Weyden- Deposition EAR |
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Rogier Van Der Weyden - Portait of a Lady EAR
- Nothern artitsts try to portray personalities
- Also likieness
- they like to use darker colors.
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Limbourg Brothers- January EAR
- it was a prayer book.
- made for the duke of Berry
- odd months are dedicated to aristocracy and even to the peasants
- different prayers in it for different times of the year
- fire screen behind screen= symbolic halo
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Brunelleschi- Sacrifice of Isaac IER
Very Dramatic and very realistic
-Abrahams fathers knife is on Abrahams neck and the angel has to physically stop his dad
-Late Gothic Style
-angel is in profile
-figures are more sculptural
-Has depth with 3D bulk |
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Ghiberti - Sacrifice of Isacc IER
-it is more pictorial and uses more devices
-creates depth without 3d bulk
-Classicism and illusionistic – balanced and calm
-Was cheaper to make |
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Donatello, David IER
1st life size free standing nude figure -commissioned by the Medici’s. -because it was for private enjoyement Donatello was free to experiment more. -in contropposto and very sensual -compositional defice is “contrast” -David wears a hat and boots to make it look predominate. -The rock that David used to kill Goliath gives god a lot of credit -closed form |
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Verrochio- David IER
-Also comissioned by the Medici.
-David was Florence’s Idol
-Contrapposto
-looks more strong and proud
-open form |
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Mossacio- The Holy Trinity IER
-placed in a classical roman type building
-coffered ceiling, under and arch, columns
-3 levels
-god, jesus and holy ghost
-John and mary
-the commissioners
-uses linear perspective
-I was once what you are now, and you will be what I have become. |
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Fra Angelico - Annunciation IER
-Typical of artists of that day because he understood the invations that were going on but still liked the tradition.
-Mary is depicted as fragile and human
-has some understanding of perpective. |
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Fra fillipo lippi - Madonna with child + Angels IER
introduces nature in the background. |
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Brunelleschi- Dome of Florence IER
- 1st great renaissance building
- -last great gothic buildng
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Brunellechi- The Birth of Venus |
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-first full female nude figure painted
-covering herself up in modesty
-modeled after a sculpture of venus
-that’s why she looks so artificial and pale
-in this she is a symbol of truth and nobility
-numph Pomona is a pagan demigod associated with citrus
-pagan equivalent of the virgin Mary |
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Michelozzo- Palazzo Medici- Ridcardi
1st great renaissance building. |
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Signorelli- Damned cast to hell IER
-very humanistic (ie: demons)
-very sympathetic (humans vs. humans) |
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Piero Della Francesca- Flagellation of Christ IER
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Mantegna- Dead Christ IER
-chirsts face still has an edge of pain like he is still suffering even though his body is decomposing.
-theres foreshortening in his feet |
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Raphael- School of Athens High Renaissance |
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Michaelangleo- David High Renaissance |
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Michaelangelo- The Creation of David High Renaissance
took 3 years
-didn’t want to do it
-spandrals- arhitechural molding that make the transition from the wall to the ceiling.
-symbls- greek prophets that see into the future.
-combines the again and the Christian
-artists are still trying to synthesize the best pagan ideas and merge with Christian thought.
-almost weighed down by being lifeless whating for gods touch.
-the focal point is the empty space.
-ampliphies moment with negative space. |
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Michealangelo- The Last Judgement High Renaissance
conflicted about his sexuality
-thought he was more intelligent and talented than everyone else.
-Very unsympathetic Christ
-mary is looking away
-barthalamus is supposed to be holding maichaelangelos fdistorted skin
-the condemned are being tortured by monsters |
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Bramante - Tempietto High Renaissance
The sport where saint peters was killed. (upside down with a crosss)
-he thought he was unworthy to die like christ.
-usees doric order and ionic and Corinthian columns.
-metopes and triglyphs
-shell design popular in Catholicism
-everything is balanced |
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Palladio- Villa Rotunda HRVENICE |
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Bellini and Titian - Feast of The Gods HRVENICE
-were obsessed with being seen as intellectuals.
-tend to be rather large
-have a great love of nature.
-all of nature is convincing yet idealized. |
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Titian- Venus of Urbino HRVENICE |
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Tintoretto- The Last supper HRVENICE |
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Veronese- The Last Supper HRVENICE |
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Leonardos- The last supper HR |
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-A fresco where he introduced oil on plaster.
-christ is painted in a triangle
-reference to holy trinity
-this work doesn’t have anything supernatural(ie halos, wings)
-vanishing point is on jesus’ head.
-shows a very dramatic moment after he announces one of the people at the table will betray him
-that’s why jesus is calm and everyone is in a scurry kind of asking amongst themselves “who could betray Christ.
-Leonardo researched for this paintings like a scholar.
-italian artists during the renaissance wanted to be seen as intellectual and they wanted to have an underlying intellectual process behind their work
-christ pops out because hes wearing complimentary colors orange and blue that help him pop!
-the idea of 3 is all over the pictures( ie windows, groups of apostles) |
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Leonardo - The Mona Lisa HR |
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Chiarosucrro
Sfumato –smokiness and softens everything
The use of oil allowed for convincing textures
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