Artist: Jacopo da Pontormo (1526-28)

Art work: Pietá

• used characteristics of mannorism 
• Commissioned by Ludovico di Gino Capporni
• his figure are sculpture like inspired by michealangelo

Artist: Agnolo Bronzino (1546)

Art: Allegory of Venus 

• 7 figures, 2 masks on the floor
• roes: folly, gest, or playfullness
• young girl and snake: , fraud, or pleasure
• mask: symbols of duplicity 
• Bald man: tears back the curtain from Fraud
• figure tearing his hair: Jealousy or Pain
• the moral is Pleasure blind one to the jealousy and fraud of sensual love, which time reveals

Artist: Giovanni Bologna (1583)

Art: The Rape of the Sabine Woman

• Very intresting as the composition changes as you move around the statue
• the figures spiral into a dramatic, violent, raw state 
• The subject matter was drawn from lengends of ancient Rome

Artist: Coreggio (1532)

Art: Jupiter and Io

• Jupiter turn himself into a cloud that embraces Io which creates sexuality in the picture.
• Commissioned for an elite audience (Mannerism)
• The eroticism is heavy in this painting

Artist: Parmigianino (1524)

Art: Self-Portrait

• done from a concave mirror. Notice the enlarge hand almost creates a fantasy like effect.
• desmonstrates his skill at painting what your eyes see

Artist: Parmigianino (1535)

Art: The Madonna with the Long Neck

• This painting was not meant for everyone. It was for an elite audience. 
• Was his most famous painting 
• the left side is compressed to open the space on the right
• many body parts are elongated 
• As a element of Mannerism the paint draws the skill of the artist

Artist: Andrea Palladio (designed 1565)

Art: Church of San Giorgio Maggiore, Venice

• The façade is renaissance on a longitudinal church
• The church is classical with a temple façade
• It has a wide lower level that contains aisle

Artist: Andrea Palladio (1567-70)

Art: Villa Rotonda

• The circle on a square comes from renaissance architecture
• the Rotonda has 4 facades which are ionic
• Has geometric clarity 
• Its clean, pure, and classical 

Artist: Jacopo Tintoretto (1594)

Art: The Last Supper

• His style plays off from Titian in being more expressive and less realistic in their effects 
• Highly charged atmosphere 
• Jesus is the center of the composition
• big distinction between natural and supernatural
• the painting play an important part in the Miracle of the Eucharist
• The painting was placed in San Giorgio Maggiore which played a role in the reform movement.

Artist: El Greco (1586)

Art: The Burial of Count Orgaz

• outlookers are the local aristocracy
• the top of the painting gives a miracle vision
• located in the Santo Tome in Toledo
• the commision emphasizes the Roman Catholic position of achieveing salvation. 
• Also says that saints serve as intercessors with Heaven
• Similar to Tintoretto's Last Supper

Artist: Matthias Grünewald (1509)

Art: Isenheim Altarpiece closed

• Intense human relationalism
• was create for the families of the community of St. Anthony
• St. Anthony's fire caused the pations to have great pain
• German Images are far more graphic: suffering 
• There is a connection between Christ suffering for you

Artist: Albrecht Dürer (1498)

Art: The Four Horsemen of the Apocalypse

• Plays of Revelation 6:1-8= war, plauge, famine, and death overrunning the earth
• Done within the reformation in Germany
• woodcut- very complex composition
• very frightning yet entergetic and shocking 

Artist: Hans Holbein the Younger (1540)

Art: Henry VIII

Artist: Pieter Bruegel the Elder (1565)

Art: The Return of the Hunters

Artist: Pieter Bruegel the Elder (1568)

Art: Peasant Wedding

Artist: Caravaggio (1599-1600)

Art: The Calling of St. Matthew

Artist: Caravaggio (1601)

Art: The Conversion of St. Paul

Artist: Caravaggio (1595)

Art: The Musicians

Artist: Artemisia Gentileschi (1625)

Art: Judith and Her Maidservant with the Head of Holofernes 

Artist: Artemisia Gentileschi (1638-39)

Art: Self-Portrait as the Allegory of Painting 

Artists: Carlo Maderno-(1607-12) and Gianlorenzo Bernini (1657)

Art: Carlo- Facade of St. Peter; Bernini- colonnade 

Artist: Bernini (1624-33)

Art: Baldacchino

Artist: Francesco Borromini (1665-67)

Art: Facade of San Carlo alle Quattro Fontane, Rome

Artist: Francesco Borromini (1642)

Art: Exterior of Sant'Ivo, Rome

Artist: Gianlorenzo Bernini (1623)

Art: David

Artist: Gianlorenzo Bernini (1645-52)

Art: The Ecstasy of St. Teresa

Artist: Diego Velázquez (1619)

Art: The Water Carrier of Seville

Artist: Diego Velázquez (1650)

Art: Juan de Pareja

Artist: Diego Velázquez (1656)

Art: The Maids of Honor

Artist: Peter Paul Rubens (1610-11)

Art: The Raising of the Cross

Artist: Peter Paul Rubens (1606)

Art: Marchesa Brigida Spinola Doria

Artist: Peter Paul Rubens (1622-25)

Art: Marie de' Medici, Queen of France, Landing in Marseilles 

Artist: Peter Paul Rubens (1638)

Art: The Garden of Love

Artist: Anthony van Dyck (1635)

Art: Portrait of Charles I Hunting

Artist: Frans Hals (1628-30)

Art: The Jolly Toper

Artist: Judith Leyster (1633)

Art: Self-Portrait

Artist: Rembrandt (1642)

Art: The Night Watch

Artist: Rembrandt (1647)

Art: The Hundred Guilder Print

Artist: Rembrandt (1654)

Art: Bathsheba with King David's Letter

Artist: Rembrandt (1658)

Art: Self-Portrait

Artist: Jan Vermeer (1664)

Art: Woman Holding a Balance

Artist: Georges de la Tour (1642)

Art: Joseph the Carpenter

Artist: Nicolas Poussin (1640)

Art: Landscape with St. John on Patmos

Artist: Hyacinthe Rigaud (1701)

Art: Portrait of Louis XIV

Art: Palace of Versailles

Artists: Jules Hardouin-Mansart, Louis Le Vau, and Charles Le Brun (1678)

Art: Hall of Mirrors

Artist: Jules Hardouin-Mansart (1669-85)

Art: Garden front of the center block of the Palace of Versailles 

Artist: Inigo Jones (1619-22)

Art: Banqueting House

Artist: Sir Christopher Wren (1675-1710)

Art: Facade of St. Paul's cathedral

Artist: Jean-Antoine Watteau (1717)

Art: A Pilgrimage to Cythera