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-6th cent. BCE -first actor; stepped out of chorus and took on persona of character -first hypokrite- answerer -tragic playwright |
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ARISTOTLE'S SIX ELEMENTS OF THEATRE |
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1. plot 2. character 3. thought (theme) 4. diction (language) 5. music (song) 6. spectacle |
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-384-322 BCE -materialist philosopher -POETICS- justify tragedy as legitimate form diff from epic poems -mimesis is how humans learn -theatre= pleasure and instruction |
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-429-347 BCE -greek idealist philosopher -"allegory of the cave" -metaphor for how we see reality -ideal reality is objective but transcendent -material is poor copy of ideal -theatre is a copy, therefore bad |
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-mid-to-late 400s -7 plays extant -introduced third actor -altered choral structure -ANTIGONE -OEDIPUS THE KING |
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-490s BCE -7 plays extant -widely regarded -introduced second actor -ORESTIA (extant trilogy) |
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-late 400s -18 extant plays out of 90 -not so popular then, now-pretty popular -wrote touchy subject matter for his time -"favorable depictions of women" -changes structure of tragedy, more adventurous -BACCHAE -MEDEA -THE CYCLOPES - only complete satyr play |
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-448-380 BCE -political satire -made fun of other playwrights/people -wrote against peloppenesian war -became less political after athens sacked -established old comedy structure -LYSISTRATA -THESMOPHORIOSUZAE |
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-weird dr. fletcher voice -342-291 BCE -best-known greek new comedy playwright -written in 5 acts -followed aristotlean classical structure -role of chorus was greatly diminished -SAMIA (GIRL FROM SAMOS) -ASPIS (THE SHIELD) -EPITREPONTES (THE MEN WHO WENT TO ARBITRATION) |
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-first roman comic playwright -130 works known, 21 extant -wrote for theatrical performance, not literary merit -"copied menander", but was very witty -lots of music -created comic servant -complex plots, slapstick comedy -wrote less pathos/moral conundrums -MENAECHMI- source for shakespeare's COMEDY OF ERRORS -MILES CLORIOSUS -PSEUDOLUS -^^both sources for FUNNY THING HAPPENED ON THE WAY TO FORUM |
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-freed slave from carthage? -first black playwright? -all 6 plays survived -adapted from greeks, more complex than plautus -mixed and matched greek stories -myth- not popular; truth- popular -prologues- for actor-manager; defenses against other playwrights' attacks -survived bc of fine writing |
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-known for Sententia (moral soundbites) -BEST PLAYWRIGHT EVER IN ROME -advisor to Caligula and Nero- crazy dictators, bad emperors -9 plays survive -OEDIPUS -MEDEA -PHAEDRA -THYESTES -most influential for elizabethan era -(see influences on Renaissance |
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-japanese -credited with coming up with No form -1300s |
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-1300s -japanese -kan'ami's son -perfected No |
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-japanese -1600s -wrote kabuki and bunraku plays -most famous playwright in Kabuki -crossed adapted plots from one to the other -THE BATTLES OF COXINGA -THE LOVE SUICIDES AT SONEZAKI |
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-1600s -japanese -priestess/courtesan who performed Kabuki -prostitutes advertised services thru bawdy plots |
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-late 100s -roman empire -theatre=bad b/c it degraded christians and promoted false gods |
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-400s -wrote "City of God" -theatre=bad b/c it put christians in bad light |
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-935-1001 -canoness -wrote 7 dramas- in response to terence's plays -importance of chastity -SAPIENTIA |
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-1100s -christian mystic- saw visions -created Ordo Virtutum- play of virtues -psychomachis |
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-poet famous for lyrical poetry -THE SATIRES -THE EPODES -THE ART OF POETRY -drama is to profit and to please |
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-ancient indian musicologist -authored NATYA SHASTRA |
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-most productive playwright of classical india |
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-16th century- medieval german -farce -THE WANDERING SCHOLAR FROM PARADISE |
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-written by aristotle -old tragedy? -defense of mimesis -6 elements of tragedy -tragic plot -tragic hero |
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-written by horace-poet -don't mix comedy and tragedy -5 acts -to teach and to please -unity, grace -decorum |
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-written by aeschylus -trilogy of greek tragedies -end of curse on the house of atreus -when performed- accmpd by PROTEUS, satyr play |
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-(PLAY OF VIRTUES) -created by hildegard von bingen in 1100s -psychomachia: battle btwn allegorical vices and virtues -definitely performed, was it dramatic? -music still exists -precursor to morality plays |
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-"Whom do you seek?" - marys looking for jesus -possible background of cycle plays -trope in 900s -liturgical drama that possibly led to cycle plays/mystery plays |
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-"monastic agreement" of 965-975 -possible background of cycle plays -how-to guide for monks, laid out strict orders for days -created Visitatio Sepulchri |
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-possible background of cycle plays -"visit to the tomb" -scene out of quen quaeritis in late 900s -scene appears to be mimetic, therefore theatrical -increasingly elaborate staging of this and other scenes |
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-PLAY OF ADAM -1100s france -possible background of cycle plays -staged at doorway of church -stage directions in latin -dialogue in french |
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-written by Tang Xianzu -first performed in 1598 -one of Tang's "four dreams" |
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SAKUNTALA AND THE RING OF RECOGNITION |
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-nataka by Kalidasa -best-known sanskrit drama -masterpiece -based on episode from the MAHABHARATA |
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-current cycle play -since 1634 -inhabitants of village of oberammergau, bavaria, germany |
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-treatise on performing arts, encompassing theatre, dance, music -200 BC-200 AD -Sage Bharata |
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-chorus of satyrs, poked fun at gods, licentious -CYCLOPES by Euripides |
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-choral dance hymns to Dionysus -had political element- 10 tribes of athens |
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-400s -Aristophanes -old comedy structure -prologue- sets forth happy idea -agon- argument that expresses POV about happy idea -parabasis- divides play in 2; chorus addresses audience; critique -series of scenes that explore application of happy idea -komos- reconciliation scene and restoration of previous order |
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-Menander -domestic, sitcom-ish -chorus has little to do w/ plot -stock characters- broad types -very popular, second to homer at time -copied by plautus and terence -THE GROUCH by Menander |
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-tragedy structure -prologue- intro-exposition -parados- entrance of chorus -several episodes/stasimon exchanges -sung-chanted w/ dancing -2-3 main actors w/ chorus -long speeches, songs, scenes of stichomythia -late pnt of attack -violence offstage -continuous action -single place -based on myth |
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-(phylakes) -included women -first professional actors -jack-of-all-trades -singers, skit players, acrobats, etc. -ill repute |
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-fabula atellana -400s BCE (influenced by greek mime?) -four stock characters: braggart, comic old man, gluttonous fool, hunchback -short, mostly improvised -lowbrow humor, mostly about rural life -often afterpieces -disappeared around 0s bce as roman mime took over |
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-fabula ricinata -200s BCE -made fun of officials -emperor Heliogalabus ordered livesex acts as part of performance -popular with common folk -serious or comic -short, sometimes elaborate -sex, nudity, violence -acrobatics |
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-fabula sattica -400s -solo storytelling thru movement w/ chorus singing/chanting -masks -historic or mythic themes -comic or serious, serious more popular -precursor to ballet |
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-not as popular as other forms -only 3 playwrights we know of -no works survive |
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-fabula praetexta -possibly celebratory declamations or pageants staged at festivals -not necessarily tragic -OCTAVIA- thought to be written by seneca; seneca and nero characters -prob written after seneca died |
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-form of roman entertainment -SEA BATTLES |
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-roman entertainment WILD ANIMAL FIGHTS |
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-sanskrit -well-known story of heroism and love -epic heroes -"fairy tale" mix of supernatural and domestic |
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-invented story of love btwn merchants and courtesans |
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-japanese form -elements of dance, storytelling, and zen buddhist principles -shite, maeshite, nochijite, waki, tsure, chorus, misc, kyogen, musicians |
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-unmasked actors -comedic skits in btwn acts of noh plays |
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-chinese form -4 acts w/ wedges -songs -covers months-years -simple stage -colorful costumes, stylized THE ORPHAN OF ZHAO SNOW IN MIDSUMMER ROMANCE OF THE WESTERN CHAMBER THE STORY OF THE CHALK CIRCLE |
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-related to sanskrit -dance and drama -performed in shrines in india -visual sacrifice to gods -adaption of some sanskrit plays |
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-1600s -long month of pageants, chants, parades -re-enacting life of Ram -devotional drama form -ends w/ burning effigy of demon -in everyday language -very popular |
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- indonesion shadow puppet drama -est by 1000 CE -intricate cutout puppets -one person (dalang) -nighttime (8:30-dawn) -situation, intrigue, hero appears, battle, triumph of hero -come-and-go |
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-(chuanqui) -later southern form of zaju (mid 1300s) -longer and more complex LUTE SONG by Gao Ming |
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-1600s Ming alters southern form (kunqu) THE PEONY PAVILLION by Hsien-tsu; 55 acts |
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-1200s-1500s -liturgical drama/processions backgrounds -cycles- guilds take different sections -pageant wagons, true processional, stop-and-go processional, audience processional -stationary: mansion, platea |
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-late medieval -allegorical plays -presence of pagan elements EVERYMAN CASTLE OF PERSEVERANCE |
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-apocryphal events and marvels -CROXTON PLAY OF THE SACRAMENT (1400s/1500s) |
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-1600s-1800s -historical play glorifying samurai -dance -domestic drama -spec FX, lots of scenery -loyal, good, courageous men; villain; comic roles; children's roles -onnagata- men playing women in white face and rouge -elaborate costumes, patterned makeup -emblematic props -stylized movement: kata: movement forms ma: pauses mie: extreme pose at climax of kata and ma |
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-puppeteers (ningyotsukai) 3 of them -chanters- tayu- all dialogue -5 acts- 3 scenes each -act 3 scene 3= climax |
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-netherlands, 1500s -philosophical question posed to soceties -societies each devise allegorical dramas to answer question -two-story stage -best won prize given by "Lady Wisdom" -very elaborate |
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-(mummers plays) -based on earlier "Morris Dances" (sword dances w/ costumes) -character dies and doctor brings him back -father xmas, clown, fool, hobby horse, maid marion, st. george, dragon |
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-general name for costumed playlets -for commoners, later royal events/tournaments -royal versions are elaborate, allegorical, tailored to praise single personage |
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-1200s into renaissance -elaborate processionals thru town -playlets or tableau vivants -basically cycle play processionals except w/ secular/royal emphasis |
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-form of farce in 1400-1500s -parody sermons by parody priests -feast of fools-type -done by secular societies in france |
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-form of farce in 1400s-1500s -political satire; all characters are fools -done by secular societies in france |
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-high middle ages -inversion of status -lesser clergy can ridicule superiors -"Bishop Fool" presided over |
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-the study of writing history -history ≠ events -history is fictional SEE NOTES |
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-closest to objective science -id's and collects sources -gathers into archive -finds order- linear -epistemologically objective |
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-positivist + what is left out -uncovers more to fill in gaps -linear and evolutionary -epistemologically objective |
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-history, archive, facts, documents- constructions of historians -history is only linear and evolutionary bc historians select evidence, arrange archives, and construct narratives SEE NOTES |
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how do we know what we know |
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-6 elements -tragic plot -anagnosis: recognition -peripeteia: reversal of fortune -katharsis: purgation |
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-upper class -not too good, not too bad -harmartia: missing the mark, bum rap * lots of tragedies don't have a tragic hero |
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-festival -end of march- beginning of april -celebrate end of winter, harvesting crops |
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-Roman -public games for benefit and entertainment -feature of roman religious festivals |
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-group of three tragedies followed by a satyr play |
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-answerer in Greek -THESPIS was first- answers to chorus |
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-"how humans learn" -theatre can give pleasure and instruction |
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mistake, flaw; not wickedness, not sin, but a "missing the mark", a bum rap |
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major emotional flavor or sentiment in audience |
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ultimate rasa -wholeness, unity, peace |
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-actions used to express rasas - 8 of them- one for each rasa |
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actor-manager in all productions a troupe does |
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with-heartedness describes trained/specialized audience members that attend sanskrit drama |
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-doer in Noh -usually masked -in need of letting go -undergoes transformation -maeshite -> nochijite |
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-side-man in Noh -unmasked- guides shite into realization |
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-Noh -"gentle gracefulness, "subtle mystery" -mysterious beauty of impermanence that combines elegance with awareness of fragility |
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men playing women in whiteface and rouge in KABUKI theatre |
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movement forms, building blocks/vocab of movement in KABUKI |
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pauses between movements in kata KABUKI |
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extreme expressive pose at climax of series of kata and ma KABUKI |
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highest class of female entertainers in NOH and KABUKI |
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bridge out into audience KABUKI |
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bridge-like section in NOH connecting main stage protruding into the kensho and connecting stage with nagami no ma |
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set structures tied down to a particular locale ex- Heaven and Hellmouth used in cycle and morality plays contained special effects |
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neutral space in front of mansions becomes whatever the scene requires used in morality and cycle plays |
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-atellan farce -Braggart (Bucco) -comic old man (Poppas) -gluttonous fool (Maccus) -hunchback (Dossenus) |
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battle between allegorical vices and virtues in Ordo Virtutum |
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processional staging in england of cycle plays 6? 8? wheels |
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FOURTH LATERAN COUNCIL OF 1215 |
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-possible background of cycle plays -transubstantiation -made transubstantiation for everyone all the time |
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