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| over all structure of a piece |
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| how fast the melody and the chord progression goes by to create the overall harmony of a piece |
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| short melodic rhythm pattern |
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| grouping of 4 measures of music often marked by a stopping place |
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| Words to describe a Period |
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| contrasting, parallel, etc. |
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| 3 or more differing phrases; think A B C |
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| 2 periods connected by specific cadence design such as a half or plagal cadence |
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| 2 or more periods NOT connected by cadence design |
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| In major keys which 2 chords usually appear at a final stopping place? |
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| Stopping place from dominant to tonic? |
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stopping point not on tonic EX:
I-V |
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True or False?
paralled 5ths are allowed with contrary motion? |
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True or False?
melodic augmented 2nd is forbidden in melodic movement. especially in soprano |
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| What part is doubled in a 1st inversion triad? |
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| up and down by step or leap in same direction |
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| up and down in the same degree by step leap in the same direction |
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| when one voice ascends while the other descends by step or leap |
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| one voice goes up or down by step or leap while the other stays the same |
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| Difference between Bass and Root |
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Definition
Bass= the voice of the lowest part sung in the triad on the music
Root= the bottom original note that names the triad when written out |
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| b3 but the the b7 is raised to be a major 7 |
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have the same key signature EX:
Bb Major and g minor have 2 flats |
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have same tonic EX:
Bb Major and Bb minor start on Bb |
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| moves up in whole steps (whole tone scale) |
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| 1st inversion of a 7 chord is what symbol |
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| 2nd inversion on a 7 chord is what symbol |
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| 3rd inversion of a 7 chord is what symbol |
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| 6 is the symbol for what inversion |
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| 6/4 is the symbol for what inversion |
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