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Albert Pinkham Ryder. Toilers of the Sea. 1885
-not history painting, more dreamlike
-painted what glows in his imagination
-square and tiny
-attracted to the sea
-self taught, urge for self expression, painted slowly over over
-influenced Pollock, he had a willful desire to create shape |
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Albert Pinkham Ryder. Jonah. c. 1885
-story of ocean fury, God commands Jonah to the sea
-you can see god, whale, boat , people
-its about MOvement
-damnation and redemption with love of the sea
-man's demise |
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William Michael Harnett. After the Hunt. 1885
-best example of tromp l'oiel
-arranged items however he wanted them
-incoporated masculine items because of fear of women
-it could also be about consumer consuption
-or sentinment of the country quieter world
-appealed to business men of NY |
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John Frederick Peto. Old Souvenirs. c. 1880
-more rough than Harnett |
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John Haberle. A Bachelor's Drawer. 1890
-insight to what was masculine with the objects
-life of pleasure
-nothing to do with new stuff more nostalgic
-industrial revolution was going on and magazines were new
-takes away from modern times |
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William Michael Harnett. The Faithful Colt. 1890
-old fashioned gun from era of civil war
-suggest vanished age
-america is not that old but there is a anxious regard for the past
-handmade not factory made
-no stereotypical feminine objects, nostalgic for a time when masculinity was most prominent and women not in the way
-Women suffrage at this time and immigration was happening |
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John Frederick Peto. Reminiscences of 1865. 1895
-end of civil war time
-birth and death date are in this
-1st president to be assassinated
-people felt lost
-its about change and how we will deal with it |
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Raphaelle Peale. Venus Rising from the Sea: A Deception (After the Bath). c. 1820
-fairly big and the illusion of a woman hiding behind the clothe
-purposely deceptive, playing on idea of trick
-eludes to history of women posing nude, ie. Eakins
-more prudent though
-similar to his "Artist in His Museum" |
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