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Cimabue Madonna Enthroned 1280-1290 Tempera on Panel Baby man, perspective, spatial, dimension, proportion. |
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Giotto The Crucifixion 1305-06 at Arena (Scrovegni) Chapel in Padua Italy Fresco Interior Emotional angels, slight perception and proportion advances |
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Giotto Madonna Enthroned (Ognissanti) 1310 Tempera on Panel vs. Cimabue, spatial dimension angels, still baby man, better throne |
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Pisano Baptism of Christ 1330-36 South Door of Baptistery of Florence Gilded Bronze |
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Lorenzo Ghiberti The Sacrifice of Isaac 1401-03 North Doors of Baptistery of Florence Gilded Bronze Beat Brunelleschi in competition of door panels, similar angel from Giotto's Crucifixion |
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Donatello David 1420s-1460s Bronze Construed to be perverse, homoerotic, after the fight, extreme contrapposto, di sotto in su from below, upward |
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Masaccio The Holy Trinity with the Virgin, St. John, and Two Donors 1425 Fresco Linear/one point perspective, human control over objects and space, no longer solely God's ~1413 Brunelleschi ~1436 Alberti |
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Robert Campin + workshop Merode Triptych 1425-30 Oil on Panel Blending, Mary in domestic environment, depicts Annunciation, 3 piece altarpiece. dip, trip, polyp+tych |
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Jan van Eyck The Arnolfini Portrait 1434 Oil on oak Panel Numerous symbols, shoes, mirror, dog |
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Leonardo da Vinci Portrait of Givevra de' Benci 1474-78 Oil on Panel Gaze not in profile, virtuous, "Beauty Adorns Virtue" on back, may have been cut |
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Botticelli The Birth of Venus 1485 Tempera on Panel Contrapposto, Venus pudica |
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Leonardo da Vinci The Last Supper 1495-98 Tempera and Oil on Plaster Psycho-realism, Expression, Sfumato (smokiness, gradations of light and dark) |
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Michelangelo Pieta 1498 Marble Massiveness emphasizes holy figures, preserved body=preserved face, realism, "freeing souls from marble/bodies" |
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Michelangelo David 1501-04 Marble 17ft, meant to be placed Florence Cathedral (di sotto in su, Before battle, Palazzo looking at Rome. |
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Michelangelo The Creation of Adam 1508-12 Sistine Ceiling, Vatican, Rome Fresco Angels looking away Lucifer, Beelzebub, angels support Michael the archangel, formalism deep visual analysis within the work. |
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Parmigiano Madonna with the Long Neck 1535 Oil on wood Panel Proportions, composition, perfect oval face, pillar represent flagellation of Christ or Mary |
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Titian Venus of Urbino 1538 Oil on Canvas Wife or prostitute, mannerism, large, Rosand "arena of interpretation" |
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Allegory of Venus Bronzino 1546 Oil on Panel strange proportions, cluttered, complex erudite subject matter |
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Pieter Aertsen A Meat Stall with the Holy Family Giving Alms 1551 Oil on wood Panel |
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Caravaggio The Calling of St. Matthew 1599-1600 Contarelli Chapel part of 3 panel work Oil on Canvas Tenebrism contrasts of light and dark, realistic body expressions, creation of adam reference |
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Rubens The Raising of the Cross 1610-11 Oil on Panel Triptych |
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Artemesia Gentileschi Judith Slaying Holofernes 1614-20 Oil on Canvas Caravaggism, vs Caravaggio's unrealistic version |
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Bernini David 1623 Marble Dynamic movement, during battle, catches light |
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Nicolas Poussin The Death of Germanicus 1626-28 Oil on Canvas |
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Bernini The Ecstasy of St. Teresa 1645-52 Marble Hanging sculpture, lighting, dramatized seen to be sexual, God piercing heart with golden arrow |
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Diego Velasquez The Maids of Honor (Las Meninas) 1656 Oil on Canvas |
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Johannes Vermeer Woman Holding a Balance 1662-63 Oil on Canvas |
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