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| a common container, the outer edge of a desighn works as a common container. |
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| The distance between visual elements. |
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| a fluid connection among compositional parts. |
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| similar lines, shapes, colors and textures in a desighn that increase unity. |
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| Visualk weight refers to the inclination of shapes to float or sink based on solidity and compositional location. |
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| Shapes that are mirrored to either sid eof a vertical axis |
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| divides the format horrizontaly as well as verticlly. Lines and shapes mirrored the same direction. |
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| creates equalibrium between visual elements that differ in size, number, weight, color and texture. |
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| refers to the visual size of an element within an image. |
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| is used to give part of a desighn a particular prominence. often used to attract attention. |
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| INTIGRATION OF PARTS CREATES AN EXPRESSIVE FORM IN WHICH ALL OF THE PARTS ARE RELATED |
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| A visual feeling of equalibrium achieved through the arrangments of elements. |
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| element made to be more impprtant by contrast. |
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| AN IMPLIED SENSE OF MOTION |
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| The degree of closenes th relationship of forms based on their location. |
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| a sense of flow or movement |
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| repeating a visual element long enough tha t it creates a motif |
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| a mark made by an instrument as it is moved acrossed that paper. |
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| black white and infinate variations |
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| a contained or edged area on a two demensional surface. |
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| The tactical quality of a surface or it's representations. |
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| The actual local hue of the object. |
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