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Winslow Homer. Prisoners from the Front. 1865 -confederate soldiers, one union soldier -anti-slavery -confederates were in bad shape, old man -interested in human interaction -influenced from japanisma |
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Naturalism, Realism similar to Courbet -form follows function -not interested in avant garde -strong simple designs -command of watercolor (one of the greatest) |
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Winslow Homer. Snap the Whip. 1870 -happy American life -enjoys landscape and people -children are promise of America, symbolize unity of nation -the end era into urbanization -rural life after war |
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Winslow Homer. The Cotton Pickers. 1880 -color palette changes, more subdued -sympathize for blacks -girls did backbreaking labor but still proud -not slaves though |
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Winslow Homer. Breezing Up. 1880 -Loved the water |
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Winslow Homer. The Life Line. 1880 -left America to study in fishing village in Europe -Nature is no longer benign -dramatic life saving -Hidden messages about Homers sexuality -face covered grabbing breast, her dress looks immodest -wilderness is savage -world view is getting darker, as older getting more blind |
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Winslow Homer. The Gulf Stream. 1899 -Fear of the year 1900 -perils of the sea -relationship of man and water -storytelling comes out -powerful thick brushstroke |
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