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Spanish Renaissance (religious drama) one act play about the sacraments |
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Spanish Renaissance cape and sword play feature sword fighting "Zorro" |
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Spanish Renaissance "hens roost" or "stew pot Seating for unaccompanied women on first floor, second floor: government officials third floor: clergy (church) |
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Spanish Renaissance Long Plays full length plays 3 acts |
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Spanish Renaissance production companies tour from town to town rent the square (or corral) became permanent theatre spaces
theaters corral de la cruz corral del principe |
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Spanish Renaissance folk plays done between the acts of longer plays two or three characters |
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Spanish Renaissance set on carts (like pageant wagons) 2 wagons for scenery and another for the stage/playing area [religious drama] |
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Spanish Renaissance long backless benches on sides of theatre facing each other (they run perpendicular to the stage along the patio) |
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Spanish Renaissance 1st important dramatist of the Golden Age dramatist (actor, playwright & manager) good record of theatre practice |
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Lope Felix de Vega Carpio--- |
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Spanish Renaissance aka. Lope De Vega "Shakespeare of Spain" wrote 1,500 plays - only 470 survive wrote all different kinds of plays he also wrote dramatic criticism, poetry and prose established an episodic structure influence french and english drama WROTE THE KING, THE GREATEST ALCADE WROTE FUENTE OVEJUNA (THE SHEEP WELL) |
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Spanish Renaissance Short dialogue of two characters (scene) between the acts of longer plays |
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Spanish Renaissance space for standing in center (in between the gradas) (the pit) |
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Pedro Calderon de la Barca |
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Spanish Renaissance 3rd most famous playwright in spain WROTE THE CONSTANT PRINCE WROTE LIFE IS A DREAM (LA VIDA ES SUENO) wrote hundreds of plays (love, honor) wrote an auto (the great theatre of the world) plays translated into french and english influenced French neoclassic and english restoration writers wrote chivalry, catholicism, nationalism double plot structure a lot of conflicts |
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Sor Juana Ines de la Cruz |
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Spanish Renaissance best known spanish female playwright of this era feminist nun who lived in mexico WRTOE THE DIVINE NARCISSUS |
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first spanish proscenium theatre built in king's palace in madrid, 1640 Italian design in architecture and scenic technology |
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Spanish Renaissance (a spanish form of intermezzi) lavish music and dance story based on mythology excuse to show costumes/settings |
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What historical/political developments made the drama of Spain develop in a way that sets it apart from the rest of Europe and of Britain? |
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Spanish Renaissance Religious Drama was established near the end of the 15th century when Ferdinand and Isabella brought Catholicism back into common spain. |
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How did the staging of the autos sacramentales compare to medieval theatre in England and Europe? |
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Spanish Renaissance staging on wagons accessible to people who can't read bc they are teaching catholic morals. |
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When was the Spanish Golden Age of Literature? |
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Spanish Renaissance 1550-1650 Spain was the leading power in Europe they conquered other parts of Europe They ruled the high seas. |
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Who are the main playwrights from this era and what are some plays they are known for? |
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Spanish Renaissance Lope De Rueda Lope De Vega - The King The Greatest Alcalde, Fuente Ovejuna (The Sheep Well) Pedro Calderon Sor Juana Ines de la Cruz - The Divine Narcissus Pedro Calderon de la Barca - Life is a Dream, the Constant Prince |
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How did the secular plays of Renaissance Spain compare with those of Shakespeare in style, structure, and content? **** |
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Spanish Renaissance they were similar. they cover a great deal of time multiple plots & location serious & comic plot not neoclassicism heroes are peasants or aristocrats incorporated supernatural and pleased the audience |
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What are the most important permanent theatre buildings in the latter half of the 16th century in Spain? |
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Spanish Renaissance Corral Theatres -Corral de la Cruz -Corral del Principe
Later in 1640 - The Coliseo |
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What are the main features of the theatres built for secular drama in Spain in this era? |
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Spanish Renaissance very similar to courtyard theatre rectangular space in a square courtyard balconies stage at one end proscenium, rectangular 2 doors or curtain; center curtain/door second level also used as playing area trapped and machinery tiring room behind stage seating at sides and back special features - grades, patio, cazuela enter opposite the stage seated about 2,000 |
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How does the Coliseo compare to those theatres and to theatres of Renaissance Italy? |
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Spanish Renaissance [first spanish proscenium theatre] [built in king's palace in Madrid, 1640] italian design in architecture and scenic technology |
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How do women figure in theatre history in the Spanish Golden Age? |
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Spanish Renaissance they were allowed in the company [Sor Juana Ines de la Cruz - best known spanish female playwright of the era - feminist] |
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French Renaissance 1585-1642 Prime Minister to Louis XIII [1630] Secured absolute power for the King of France Decides that France should be come the cultural center of Europe Makes France the center of culture for Europe Settles disturbances Very cultured Becomes the subject of many plays encourages neoclassicism founds french academy in 1635 |
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French Renaissance Golden age of France (ruled 1643-1715) king of france rules for 72 years age of reason Cardinal Mazarin is his prime minister |
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Confraternity of the Passion |
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French Renaissance group of plays 1402-organized to stage religious plays 1548-built the hotel de Bourgogne in paris first scene of "cyrano de bergerac" is set in this theatre actors Bellerose and Montdory religious theatre is outlawed secular theatre emerges |
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French Renaissance first scene of "cyrano de bergerac" is set in this theatre actors Bellerose and Montdory religious theatre is outlawed secular theatre emerges 1st permanent renaissance theatre standing pit for audience (parterre) no proscenium |
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French Renaissance 1572-1632 Prolific French Dramatist First professional playwright attached to theatre o Resident playwright at Hotel de Bourgogne Wrote hundreds of plays o 34 survive Used Neoclassic devices but does not adhere to the neo-lassic style Writes to please the audience Actresses emerge on stage in France [1599] |
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French Renaissance Group of writers in Paris Formed in mid-1500s to produce plays based on classical models (greek and roman) very academic plays court entertainment develops (intermezzi) french opera comes out of this |
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French Renaissance Founded by Cardinal Richelieu made up of intellectuals limited to 40 writers 5 dramatists still goes on today became a powerful voice in establishing standards in french literature and the arts urged adoption of italian stage and scenic practices urged development of drama based on 16th century theories:the neoclassic ideal |
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French Renaissance verisimilitude (truthfulness) |
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French Renaissance Reality Morality Generality |
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French Renaissance level headed reality, realistic, serve a purpose |
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French Renaissance Time: 24 hours max Place: one location Action: one single plot |
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The Cid Controversy/ Le Cid |
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French Renaissance written by Pierre Corneille most popular play in France DID NOT follow the unities attacked by critics mixed genres - tragic situation that ends well |
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French Renaissance Notable Neo-classist playwright wrote Le Cid |
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French Renaissance Noble tragedy writer simple plots complex characters duty vs desire reason vs passion Wrote Phedre, Andromache & Britannicus |
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French Renaissance Paris Theatre - tennis court theatre long rectangular room gallery on one or two sides shelf for acting at one end 5 ft high, 35 ft square opens in 1634 young men stand in pit simple and simultaneous scenery Montdory (company) |
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French Renaissance Le Theatre du Marais tennis court theatre platform like a tennis court platform at one end. 5' high |
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French Renaissance built in 1641 brings Italian designer Torelli to design a proscenium arch theatre rectangular room, stage at one end 300 people for seating alone amphitheater (tiered seats) 700 people ornate boxes Italian changing scenery - chariot and pole |
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French Renaissance a scenic device a way to move the flats flats attached to poles and a chariot below the stage that would pull the flats offstage to reveal the next flat |
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French Renaissance 1660 Italian design built for Louis XIV largest theatre in Europe at the time stage was 140 feet deep room for machines special effects fly over 100 people simultaneously |
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French Renaissance french national theatre - founded in 1680 moved into the building 1690 most famous french theatre aka: "House of Moliere" still there today - has been rebuilt but still in same location. |
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French Renaissance the roman dress roman hero tunic and armor headdress dress for the part |
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French Renaissance Famous Actor at Le Theatre de Marais |
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French Renaissance Famous Actor at La' Hotel de Bourgogne |
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French Renaissance Famous Actor at La' Hotel de Bourgogne |
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Moliere (Jean-Baptiste Poquelin) |
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French Renaissance 1622-1673 set the standard for neoclassic comedy father was upholsterer & furniture maker to the king father wanted moliere to be a lawyer he meets a girl & runs away to illustrious theatre joined illustrious theatre a t 21 married Armande Bejart moliere is given a theatre from the king. becomes head playwright, actor, producer, director, company manager and sometimes designer Wrote: Tartuffe, Miser, Misanthrope, School for Wives, The Imaginary Invalid |
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French Renaissance Moliere joined at 21 family troupe of the Bejarts o Joseph, Madeleine (24) & Armande (newborn) Moliere married Armande Bejart o He is 40, she is 19. company goes bankrupt go to smaller cities later go to Court of Louis XIV perform short comedy king enjoys it given a theatre o Palais Royal o Later given a different theatre become a renounced company in Paris |
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French Renaissance family group at the illustrious theatre moliere married Armande Bejart (he's 40, she's 19) |
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French Renaissance "reason" voice of reason typical character type of Moliere's play |
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How did the civil wars of the 16th century affect the development of theatre in France? |
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French Renaissance reformation - stabilization from Elizabeth Huguenots - protestants that fought catholics King Henry IV established a policy of tolerance for non-catholics they stopped fighting each other |
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Why is Cardinal Richelieu an important figure in the development of theatre in France? |
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French Renaissance 1585-1642 Prime Minister to Louis XIII [1630] Secured absolute power for the King of France Decides that France should be come the cultural center of Europe Makes France the center of culture for Europe Settles disturbances Very cultured Becomes the subject of many plays encourages neoclassicism founds french academy in 1635 |
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What happened to the religious theatre in France? |
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French Renaissance get suppressed because of political reasons France stays catholic |
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How did the commedia dell’arte influence the French theatre of the 16th & 17th century? |
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What are the major elements in the “neoclassic ideal” and how did it affect the plays of 17th century France and later dramatic literature? Which countries adopted the neoclassic idealand which countries did not? How does this shape their literature in this era? |
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French Renaissance Verisimilitude - truthfulness -Reality -Morality -Generality Each play had to follow the unities (time, place, action) countries that adopted it - italy and france countries that didn't - english and spanish they used greek and roman ideas |
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What is The Cid Controversy and what effect did it have on literature after that? |
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French Renaissance most popular play in France written by Pierre Corneille DID NOT follow the unities attacked by the critics it mixed genres - tragic situation that ends well. |
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Who was Jean Racine? Why is he a famous playwright in this era? What plays did he write? How does he relate to neoclassicism? |
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French Renaissance Notable tragedy writer simple plots, complex characters duty vs desire reason vs passion HE WROTE Phedre, Andromache, Britannicus He used neoclassic unites & perfected them. |
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What are the major playhouses in the Golden Age of France?What is their configuration and what kind of technology did they have? How are they similar? How are they different? |
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French Renaissance L'Hotel de Bourgogne LE Theatre du Marais Le Palais Royal |
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What is the significance of the Comédie Française in French theatre? |
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French Renaissance most important national theatre founded 1680 moved into the building 1690 most famous french theatre "House of Moliere" prominent theatre in the world. still there today |
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What kind of settings, costumes and sets would you expect in 17th century Paris theatres? |
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French Renaissance scenery - only set and props essential to the action are used - simple backdrop for multiple sets - most of the stage was open lighting - candles and oil lamps are the principle source of light - stage and auditorium lit by chandeliers - footlights - influences blocking - must come DC to be lit - oil lamps on poles light sections of the stage Costumes - common "modern" dress - no historical accuracy - provided by actors - "Habit a la Tomaine" =the roman dress, roman hero, tunic and armor, headdress, dress for the part |
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What are the most important companies in 17th century France and who ran them? How were they structured? Who acted? How were they cast? |
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French Renaissance Bellerose and Montfleury (La' Hotel de Bourgogne) Montdory (Le Theatre de Marais) Moliere's company Leaders - were the people who ran the company and were the actors
Later - these three merged and became Comedie Francaise |
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Who was Molière and why is he important in the French theatre? What are some of the plays he wrote? What did he do in addition to writing plays? What is his personal story? |
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French Renaissance set the standard for neoclassic comedy Wrote Miser, Misanthrope, School for Wives, Tartuffe head playwright, actor, producer, director, company manager, sometimes designer. |
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characters, plot, themes and significance of... Tartuffe |
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